The Disney Bloodline CHAPTER 5

[Becoming Educated]

SCIENCE NO. 5 - THE SKILL OF LYING, THE ART OF DECEIT
This chapter is actually a chapter of the Deeper Insights book, but it was
also added as one of the interconnected Illuminati families.

The Illuminati have refined the art of deception far beyond what the common
man has imagined. The very life & liberty of humanity requires
the unmasking of their deceptions. That is what this book is about.
Honesty is a necessary ingredient for any society to function
successfully. Deception has become a national pastime, starting with our
business and political leaders and cascading down to the grass roots. The
deceptions of the Illuminati's mind-control may be hidden, but in their
wake they are leaving tidal waves of distrust that are destroying
America. While the CIA pretends to have our nations best interest at
heart, anyone who has seriously studied the consequences of deception on a
society will tell you that deception will seriously damage any society
until it collapses. Lies seriously damage a community, because trust and
honesty are essential to communication and productivity. Trust in some
form is a foundation upon which humans build relationships. When trust is
shattered human institutions collapse. If a person distrusts the words
of another person, he will have difficulty also trusting that the person
will treat him fairly, have his best interests at heart, and refrain from
harming him. With such fears, an atmosphere of death is created that
will eventually work to destroy or wear down the cooperation that
people need. The millions of victims of total mind-control are stripped
of all trust,and they quietly spread their fears and distrust on a
subconscious level throughout society. One problem about lies is that one
lie will call for another and then another. It's hard to keep lies
single. They seem to want to breed more of their kind to protect
themselves.

Soon the liar becomes a victim of his own lies, trapped in a
dishonest web that demands lots of energy to protect his false fronts.
This is the sad fate that the intelligence agencies have painted
themselves into. They must maintain groups that oversee
their double-agents' lies to insure that the lies that they have
disseminated don't contradict themselves. Finally, they have put out so
much disinformation, they lose track of reality themselves. Far from
saving this nation, the intelligence agencies have spread the cancer of
deception into all walks of life, so that this cancer is contaminating
and killing anything of value in the United States. The soon-to-come
death of this nation's sovereignty, as well as the destruction of this
nation's morals are the results of this cancer. People who have attended
high level Illuminati meetings were instructed in how the Illuminati plan
to bring in the NWO Anti Christ reign by making everything appear as if
it has happened naturally. The Illuminati have decided to camouflage
their actions with the creation of normalcy to avert any suspicions.An
example of something which appears to have happened naturally is the
O.J.Simpson case, which was planned based on previous murder scenarios
which had been successfully covered up. O.J. Simpson was a CIA
mind-controlled slave, and the entire Simpson case was concocted as an
elaborate effort to cause racial tensions. The Mishpucka, the CIA, the
Mob and the Illuminati have all had their dirty hands involved in the
entire affair. The entire affair reeks of manipulation and planning. It
is not the goal of this paragraph to go into the case, but just to drop a
couple details. Joey Ippolito, Jr. is both CIA &Mob. Ippolito at
one time lived in Hallendale, FL, a mob housing subdivision which was
protected by a police force run by the mob. He has helped run drugs and
wet ops for "the Combination" which interconnects with the Illuminati.
O.J. Simpson's friend Cowlings worked for Joey Ippolito, as well as O.J.
Simpson. Simpson distributed cocaine for Joey Ippolito &
the Combination. Simpson's lawyer also is tied to the Illuminati, the
CIA, and the mob. One of his lawyers on TV said the trial reeked of
government corruption.Nicole Simpson lived next door to Carl Colby
(former CIA director Bill Colbysson). Colby's wife and kids have been
subjected to mind-control. Colby's wife testified in O.J. Simpson's
trial, but was addressed as "Miss Boe"rather than by her name. O.J.
Simpson's mother worked for a California State Mental Hospital in San
Francisco for 30 years. Many State Mental Hospital workers have children
who have been programmed. When one of the jurors in Simpson's case,Tracy
Hampton, had her mind-control programming go haywire, she began
staring for long periods at a blank TV and hearing voices. She had to be
dismissed.During the Simpson trial, Judge Ito gave Joe McGinniss the
best front-row seat that a journalist could have. Joe McGinniss was the
coverup author who wrote a book covering up about the McDonald-Fort Bragg
Drug Smuggling Case. The McDonald-Fort Bragg Drug Smuggling Case
involved the Illuminati drug smuggling operation within the U.S. military
during the Vietnam War. On and on the stink goes.

The manipulation of history by those in power has been well-covered over.
An example of how mind-control and its role in manipulation of events has
been covered up by the perpetrators is an article written in the Journal of the
American Medical Association (JAMA) in the Sept. 11, 1967, Vol. 201, No. 11
issue. The article, which was submitted to the magazine from three CIA
doctors(Mark, Sweet, and Ervin), claims that riots are caused by brain
disease. While the article is correct in the sub point that only a small
percentage of underprivileged urban dwellers participate in many of the
riots, the article's thesis is obviously a slide to prevent people from
catching on that the small number of deviants who create riots might be
under mind-control or might have some other motivation beyond simply
being brain-diseased. Any deception,whether it is an exaggeration or an
understatement of the NWO's capabilities is considered a useful deception
for the Illuminati's double-agents to spread. The German battleship the
Bismarck was sunk due to a little lie sent to Germany by a double-agent
which underestimated the range of British radar. The Germans,thinking
they were out of British radar range, made some bad decisions that cost
them the battleship.

DECEPTION DIMINISHES POWER
Knowledge is power, and lies diminish the knowledge of deceived dupes,and
therefore diminishes the power of the deceived. Deception obscures
the alternatives that people have. It also clouds up various objectives
people would work toward. Some people give up certain objectives due to
their mis-perceptions that the objective is undesirable or unattainable.

PROGRAMMING DECEPTIONS
In the programming, colors and directions are used. Be prepared to find
out. that sometime programmers use their creative imaginations such
as using the color "octarine," or the direction "TURNWISE" or perhaps
"WIDDERSHINS". During the most fundamental programming which is done via
LSD trips in sensory deprivation tank to lay in foundations of the Alpha,
Beta, Delta, Ome and Theta programs, each programming memory will
be given a code. Where one popular programming deception takes place that
the programmer knows ahead of time h to sequence his memory codes so
that instance,the fifth memory is coded as trip, and strenuous methods
are used to up the memories of the first four trips. victim’s s mind will
be told to forget the four trips. The memory codes are deceptively
designed to fool the deprogrammer and the victim alike. Part of the
reason the programmer does this, is that they know that IF a therapist
should stumble onto these first memories, the backup programming to
protect these memories is so severe that the therapist will shatter the
victim’s mind. Backup programs such as Atom bombs and
vegetable programming are locked into place to protect the fundamental
programs.

BE WISE AS SERPENTS
TheHoly Spirit moved an apostle to write, “We are not ignorant of Satan’s
devices.” Christ warned his disciples to “be wise as serpents
and harmless as doves.” The Israelites sent out spies before entering the
promised land. Within the text of The Art of War by Sun-Tzu (a book studied
today by men in intelligence), he discusses “hidden provocation agents” in
Book 13.Sun-Tzu was born in 534 B.C. and lived most likely until after the
year 453B.C. In 500 B.C., some men were farmers, and some were agent
provocateurs.Today, both occupations still exist. The modern American
farmer is vastly superior to the ancient farmer of 500 B.C., so how does
the modern agent provocateur compare? He is vastly superior also. It
appears the Word of God is accurate, for it warns that God’s people will
be destroyed for lack of knowledge. The difficulty in obtaining honest
information in today’s Big Brother world is aptly described by an
intelligence asset over the Internet,“If you are lucky and work hard,
you will find some of the truth. If you are lucky and work REALLY hard,
you might find the WHOLE truth...as someone wants you to know it. If you
are PHENOMENALLY lucky and really work your tail off,you might
even go on to find the REAL truth. But no outsiders...and in fact, very
few insiders  ever ... EVER ... learn the WHOLE REAL truth.”


This book & our two previous books on mind-control) are the result of
extremely hard work and numerous miracles of God, and what
non-Christians would call lots of luck”. The story behind the books is
amazing. This book’s two authors have had to ,,swim upstream” for years
in search for the real truth. One thing is very clear to this author,
during the last seven years of exposing the NWO almost every person who
is believed to be a leader against the NWO has tried to impede the work
this author has been doing. People need to be aware that the New World
Order created their own opposition long before some of us began
sincerely trying to expose it. This author’s informed opinion is that
essentially all (about 98% of the people leading the opposition to the
NWO are double agents), and no less than 50% of the therapists are
double-agents. In this state, this author knows as a fact that 50% of
the licensed therapists working with programmed DID patients are
programmed DID (MPD) slaves themselves. Recently, one of the therapists
in this area, who the False Memory“Spin”-drome & the Illuminati took
down, was a therapist who had also been on a local T.V. talk show
revealing that she was a multiple & a SRA victim.

DISINFORMATION TO MAKE THEIR DOUBLE-AGENTS LOOK GOOD
“A Force” was MI-6’s group that carried out deception. They would
have their double agents pass out CHICKEN FEED (which is what they call
classified information that can be thrown out to the public) to establish
their double-agents’ credentials (BONA FIDES) as agents against the
British. Today,there are numerous anti-NWO people who are actually
double agents. They are distributing chicken feed to make people think
they are legitimate. By the way,it is interesting to note for those who
realize how important carousels are to programming that MI-6 (HO in
Vauxhall Cross, Eng., with a training ctr. at Ft. Monckton, near
Gosport, so. Eng.) is nicknamed (actually its cryptonym),,Carousel” by its
daughter organization Mossad (officially aka Central Intelligence
Collection Agency). An example of a double-agent who
is popular among Christians is an Illuminati witch named Gretchen
Passantino, who tours around to Christian conferences belittling the
idea of mind-control. Dr. Loreda Fox reports in The Spiritual and Clinical
Dimensions of MPD that 74% of women abused by SRA come from “Christian
homes.” The Christian churches are heavily infiltrated.


SLEEPER AGENTS
In the Vol. 2 book a number of references were made to sleeper agents.The
idea of placing someone somewhere in society and letting them lead a
normal life for years without ever being used is designed to provide a
legitimate smokescreen about what they are all about. Mind-controlled
slaves make excellent sleepers. The concept of making sleeper agents is
not a secret. The CIA has publicly admitted that they tried to discover
long-range sleeper agents in the Los Niñios children of Republican Spain
who were the descendants of communist Spaniards who returned to Spain in
the 1950’s. They also have admitted to having tried to weed out long
range sleepers in the Trebizond Greeks who lived near the USSR in Turkey
and returned in the 1950’s to Greece.As the CIA and KGB mirror-imaged
each other in their manufactured Hegelian Dialectic mock dual (which was
very real for the “little” person) you can well imagine that the CIA sent
sleeper agents against the KGB.

NAMES of TYPES of DISINFORMATION AGENTS
The intelligence agencies have their own lingo for the types
of disinformation agents they send against everyone else. So far, we have
named only double & sleeper agents. Here are some of their
disinformation agents:
AGENT OF INFLUENCE -
These agents can be unwitting, under mind-control, or
ideologically motivated to use their positions of influence to sway the
minds of others. Examples of Agents of Influence are anchor men on T.V.,
journalists, labor leaders, TV commentators, academics quoted by the
media, & some politicians.
CONFUSION AGENT - An agent whose job is to produce confusion by
disseminating confounding information.
CONTRACT AGENT- These are the rogue agents, such as the mob, who the
CIA get to do particular jobs on contract. Their connections can be denied.
DEEP COVER AGENT - A sleeper agent (often a programmed multiple or person
with mind-control programming) who has been a long term sleeper agent.
DISINFORMATION AGENT - This is a highly placed agent who passes
disinformation to other governments.
NOTIONAL AGENT - A fictitious non-existent "agent" which is created with
a real-looking identity to mislead.
PROVOCATION AGENT - An agent sent in to provoke & destabilize the target
group to do foolish things.
SPOON-FEEDER AGENT - Someone who dribbles out legitimate information, this is often
done to build up a person's credentials (bona fides). Lots of the people
who are pretending to expose the NWO are spoon-feeder agents who
provide a little new information, tons of already known secrets, and
sprinkle in a measure of disinformation for added fun. Generally
spoon-feeders increase their percentage of disinformation once they gain
respectability. There are very few people really exposing anything of
consequence about the NWO. This author has endured the loss of several of
the really legitimate whistle blowers who were friends being
assassinated since he began writing exposes. What this means is that
agents for groups that do mind-control may: have been sleepers for
many years and look very legitimately innocent, they may give good
correct information to our side, they may say all the right things and
try to get us motivated to do more than we would want, they may talk
about other friends who are giving them information who do not even
exist. It takes discernment to spot people who are not on our side.

Unfortunately, such discernment seems to be fundamentally lacking within
the public at large. For instance, I have seen people choose obvious NWO
agents over this author as a source of “information”(which is in reality
disinformation). Most people have bought so much disinformation during
their lifetime, perhaps it’s unrealistic to expect them to purge out all
the junk they’ve accepted. Just as people in the world need to toss out
their worldly thinking, people in the church need to toss out all
the indoctrination they’ve gotten from the numerous kinds of harlot
churches. At the moment, the system is set up so that the perpetrators of
the mind-control are in control of the credentialing process, so that
they can provide their stooges/and agents with the best credentials. As
the reader can see, the roots of power behind the mind-control go deep.


TRICKING SUSPECTS
One trick (or variations of it) that has been used with suspects is
to arrest them, place the suspect in a situation where the police are in
two groups--one group looks like police, the other group looks like the
group the suspect has come from. After the suspect arrives, the group
pretending to be arrested group members, overpowers the police contingent
and escapes to another setting where another police group pretending to
be even more of the suspect’s group ask him who he is and to explain his
credentials. Letting his guard down,the original suspect explains what
he is all about, thereby giving them the information they needed in the
first place. Variations of this script can be run. English intelligence
calls this basic script CACKLEBLADDER because chicken blood is used on
the police actors that are overpowered to make them look injured.


THE NAMES OF DECEPTION TRICKS

FOURFACES
Refers to pretexts used by agents to get interviews. DANGLE is the
craft word for luring a victim into a provocation. A dangle
operation would be an operation to provoke a group or individual into a
particular action. This was done with Elohim City and many other groups
that the NWO is trying to set up as patsies.

STANDARD DECEPTION DEVICES
Agents use BLEEP-BOXES to tap telephones and in other instances to make
free-of-cost telephone calls. A CABMAN is a device to remotely activate
a telephone with a radio beam. It can be used without entering the
building where the telephone is located.

MASKS
The use of masks in the occult world is ancient. For centuries, the gypsies
have used them for their hypnotic powers. Special healing masks for their
people are kept secret and never shown to the public. Masks have a
shock value & fascination value. Gypsy and other occult groups have
special rituals to create the masks, including using hair clippings from
the person who will wear the mask. Gypsy healing masks are destroyed
after the patient gets well. Illuminati programming masks may or may not
be destroyed after their use.The Illuminati’s mask-making abilities
(according to deprogrammed victims of their mind-control) are very high
quality. Sometimes the programmers simply wear halloween cartoon
character masks that anyone can obtain, to fulfill their role in the
programming script that they are involved in during the time.

COVERS
Some beginners who have just started into studying the World Order question
why the Illuminati would use legitimate religious covers. Why would the
Illuminati want to create a slave who is an evangelist? Why? Because
those new converts will go to some establishment church where other
programmed multiples in leadership positions will demand obedience (and
then support those demands by quoting scriptures that make them seem like
they are God’s authority over that new convert). Because the evangelist
or missionary and the bishop or pastor are controlled puppets, the
convert will never get the full truth, just enough truth to keep him
working hard for their organization. Even though the convert “got God in
my life”, the Illuminati never lose control over him.The
Christians have as much vested interest in preventing the exposure of the
Illuminati programmed multiples who are big name Christian
ministers running Christendom, as the Illuminati has. Imagine what would
happen if the  world found out that most of Christianity was run by the
human-sacrificing,slave-making Illuminati? This is one of the sad
effects of the infiltration.Perhaps the subject of covers can be
explained from another angle. The reader knows that the elite like
monopolies. They play monopoly for real--for us it’s only a board game!
To establish a monopoly, you find a good product that everyone wants or
needs, and then you eliminate all the competition by either destroying
them, or owning the competition yourself. In the U.S., the Illuminati
can’t have a one-religion monopoly. In Russia, they had communism with
Marx, and Lenin as the Father God and Gon the son figure. Communism had
a monopoly on worship. In the U.S., they have established a monopoly
by controlling all the various religious groups. (This author wrote an
800 page heavily documented book Be Wise As Serpents to show the details
of how this is done.) It’s not a matter of what they teach, it’s a matter
of control, so that the elite have a monopoly. And when you, as a mover
& shaker in the world,control all these various religions via money,
blackmail, & programmed multiples under your leadership, etc. which
religion would you pick to emphasize the most? You will pick the one that
sells the best, i.e. the best product. And which brand of Christianity
will sell the best? The televised charismatic brand will sell the best.
Covers that slaves use to explain what they do in life are almost always
“legitimate”. A missionary, a military officer, a salesperson,etc. will
usually actually do their cover job most of the time. Their cover
is their occupation, their service as a mind-controlled slave is almost
an unwitting avocation.


Organizations are used as covers. The Illuminati
use military, social, intelligence, education, banking and other
organizations as covers. (See my Be Wise As Serpents book for many of
these.) Moriah’s front organizations, such as the CIA, in turn use other
organizations. Here is just a sampling of CIA fronts, to show the variety
of fronts used:   Asia Foundation was an academic organization created by the
CIA. Castle Bank & Trust Co. has been a bank in the Caribbean that is a CIA front. 
Forum World Features has been a front created for CIA propaganda purposes and
based in London, UK. Geschicter Foundation for Medical Research (as well as the
Josiah Macy Foundation) was used as an intelligence front to launder money used for
mind-control.  Air-Sea Forwarders, Inc. was the legal corporation name of a CIA
front in North Hollywood, CA. The company was involved in moving freight. In the
last few years, this corporation sued E-Systems, the company which builds the
CIA and the NWO’s electronic systems such as their communications satellites.
In court, the company proved that it was a CIA front, in spite of CIA denials. As
this chapter provides information about some of the Illuminati/intelligence
connections to Hollywood, bear in mind that this CIA front was proven in
court to be a CIA front in Hollywood. A feat that rarely occurs. 


One of the Greatest Deceptions of all Time: Disney
INTRODUCTION

For years, I have heard many Americans say that something is terribly wrong
in this country & that things are “going to pot”, and yet Americans can’t put their
finger on what exactly is wrong. When I first began to receive reports from
victims of Illuminati mind-control about Disney’s involvement in their mind-control,
I kept an open ear, but I wanted some tangible proof. After investigating for myself,
there is now no doubt in my mind that Disney (the man, the movies & the
entertainment parks) has been a major contributor to the demise of
America, while maintaining a very well constructed front
of wholesomeness. In this chapter, you will learn why Disney is one of
the best deceptions of the Illuminati. This author has read a good
portion of what is available to the public concerning Disney. This exposé
is undoubtedly the deepest on Disney that has ever been done. Perhaps
part of my motivation is that I’ve tired of Christians talking and acting
like Disney stands for sainthood. Christians, who should have known
better, are some of the ones who have swallowed “hook, line and sinker”
the enormous deception that entails Disney. They feed their children a
steady diet of occultism and witchcraft because they have been programmed
to think of Disney as wholesomeness and everything that is good about
America. Many writers over the years have tried to expose Disney, most
have been stopped before they could get their books published. The few
authors who have managed have faced vicious attacks on their character
& integrity, and have faced enormous struggles against
public relations campaigns paid for by the Disneys. The Disney’s power,
and the power behind them, has frightened most people away from
challenging them. But someone needs to speak on behalf of the victims.
Whether anyone listens or not, the victims will know that somebody cared
enough to stand up & write the truth.Disney has not only left
mind-control victims in its wake, but they have harassed land-owners,
stolen employee idea’s and left all kinds of hurting victims in their
path. Disney has risen to become the unquestionable
largest media-entertainment conglomerate in the world, & was ranked
company no. 48in the top 500 companies by Forbes 500.

Observations about HOW THE ILLUMINATI LIKE TO HIDE BEHIND PERFECT FRONTS.
There are numerous Illuminati homes, restaurants, wineries and
other institutions that are today carrying out the same type of strict
standards upon their employees that Walt Disney Studios maintained. While
Hollywood was immersed in moral filth from the start, Walt Disney
Studios had strict standards.In the 1930’s, Disney had a dress code that
required men in ties, and women in sober-colored skirts. If a man looked
lecherously at a woman at Walt Disney Studios he risked being instantly
fired. Walt was a shining example of the strictest legalism. Even during
the ’50's, if an employee were caught saying anything considered a
cuss word such as “hell” they were instantly fired no matter who they
were. Walt would not allow his male employees to have any facial hair,
even though he himself sported a mustache. He never allowed employees to
have alcohol at the studios, (which might not be a noteworthy standard
except that Walt himself drank heavy amounts of alcohol in his
private office at work for decades). Initially, Walt was very reluctant
to have his young artists, who were being trained by Don Graham, draw
live nude models, but reluctantly gave approval. Again the motive was not
to serve God, but to make sure the Disney reputation remained
untarnished. With the power of the establishment media behind Disney,
Walt had nothing to worry about, news about the nude drawing classes and
their detailed drawings never reached the light of day. Behind such
strict fronts of legalistic morals, cleanliness &soberness, you will
often find lots of guilt and high level satanic ritual. For instance,
Hitler (who was by the way also a failed artist & who
liked mechanical things more than people) obsessively washed his hands
many times a day (out of guilt), and so did Walt Disney. Walt obsessively
washed his hands several times an hour, every hour. Walt liked animals
& his trains more than people. This author has seen some alters who
were forced to take another human’s life, and when they relived the
memory, the alters then tried to physically wash the blood guilt off of
their hands. Another example is that over the years this author has
discovered that many of the exclusive restaurants that are meticulous in
every detail are tied in with the mind-control and criminal activities of
the elite. Dirty money is keeping the places looking sparkling clean.


Walt Disney worked very hard at maintaining a great image for himself and his
company. An example of this, is how he exploded in rage and wrote
an angry memo when a Disney character was placed in a beer ad. (Memo
mentioned in Thomas, Bob. Walt Disney An American Original. Hyperion,
1994, p. 7.) He had a personal image builder, Joe Reddy, who worked full
time to build Walt’s image. Joe Reddy was a cigar-smoking Irishman who
loved the catholic college Notre Dame’s football team. He also was a
publicity agent for Shirley Temple.But the Disney deception entails far
more than Joe Reddy’s decades of image making, and Walt’s own abilities
to create good images of himself.


Just as with Billy Graham (see Vol. 2 about Billy Graham), the entire Illuminati
threw their weight behind promoting Walt Disney. Ronald Reagan and Walt
Disney were good friends and both cut from the same die in many ways.
Both men were high ranking Freemasons, both came from socialist backgrounds
(Ronald’s mother was Eleanor Roosevelt’s best friend, & Walt’s Dad was a socialist
leader), both were paid FBI informants, and both were involved heavily in
the abuse of mind-controlled slaves. Walt always generously supported
Reagan’s political campaigns, and in turn Reagan did political favors for
Walt as Gov. of California. For instance, Disney’s Mineral King mountain
resort needed an access route through the Sequoia Nat. Park at a time
when there was lots of congressional pressure to preserve the last stands
of redwoods. Gov. Reagan go this friend Disney his road through the park.


Reagan served as the emcee for the opening day of Disneyland on July17, 1990.
He returned with Illuminati TV host Art Linkletter for the 35thanniversary.
Ronald Reagan & Art Linkletter both pumped Disney publicly.Another slave
abuser that spent time with Disney was Bob Hope, who would spend time on
the golf course with Walt. On the opening day’s telecast, cameras showed
Sammy Davis, Jr. (a member of the Church of Satan) and Frank Sinatra
(a mind-control slave handler) driving the pint-sized Disney ears at the Autopia
ride. When Disney celebrated its fifty yr-anniversary with a two hour special on
May 20, 1991, the program included people like occultist Bill Campbell and was
named “Best of Disney, 50 Years of Magic.” For the silver anniversary
of Disney World in Oct. ’96, the Clinton’s were invited to help open 15
months of celebrations. The theme of the anniversary celebrations was
“Remember the Magic”. A Boy’s & Girl’s Club sang ‘When you wish upon a
star’ (a popular programming song). Hillary Rodham Clinton (herself an
Illuminati Grand Dame and a mind-control programmer) shared with the
audience that she and Bill “first brought daughter Chelsea to the Magic
Kingdom when she was four.” Roy E. Disney,nephew of Walt, told the
public that Disney World “is the story of men and women who took hold of a
dream and never let go.” There is a double meaning to that. Many victims
of trauma-based mind-control have taken hold of the illusions that were
programmed into their mind secretly at Disney, and never let go. Among
the visitors to Disneyland have been all the American Presidents from
Eisenhower to Clinton, over a dozen kings & queens, as well as
Emperor Akihito of Japan, Anwar Sadat, and Robert Kennedy (who rode the
Matterhorn with astronaut John Glenn.) Both Denmark’s & Belgium’s
kings who are in the Illuminati visited, as well as the dictators of
Indonesia, the Shah of Iran and Ceausescu of Romania. (As a side-note Roy
E. Disney was forewarned by Arab leader that the Shah was to be deposed.)


Organizations that have been actively working for a New World
Order for many years gave big awards to Walt in his early years such as
the B’nai B’rith (Man of the Year Award to Walt) and the Chamber
of Commerce. In 1936, Walt was given the Chamber of Commerce’s
annual,,Outstanding Young Man” award. The establishment’s Yale &
Harvard Universities gave him honorary degrees. Walt Disney biographer
Leonard Mosley,who researched Walt Disney for years (as well as writing
books on the du Ponts, the Dulles brothers, and Hirohito) wrote in his
book on Walt Disney, “The studio publicity machines in the film colony
had, as usual, gone out of their way to try to persuade me, as a writer
for a powerfully influential British newspaper,that this was a city of
lawless gods and goddesses, full of clean-living,sanitized stars.


“It was even more of a deodorized world at the Walt Disney Studio where the
publicity men insisted their boss was faultless--never drank too much,
never used a swearword, never lost his temper, never quarreled with
his wife or family, never let down a friend. And woe betide anyone who
tried to suggest otherwise. Members of the resident foreign and local
press risked their jobs if they dared to write stories inferring that
Walt Disney could be domineering, implacable, and unforgiving (as was the
case, for instance,before, during, and after the 1941 studio strike).
The Disney flacks were capable of exerting heavy pressure on editors and
proprietors or, through the advertising pages, against anyone who
inferred Walt Disney was not the epitome of well-scrubbed and benevolent
perfection." (Mosley, Leonard. Disney’s World. New York: Stein
& Day, p. 10.) Disney is perhaps the epitome of Illuminati abilities
to create images. They have created great images for things Disney, incl.
Walt Disney, Disney movies, and Disney’s Amusement parks.In some cases
these things have been overrated, in other instances the sinister side to
them has been carefully hidden. In order to make movies that contain the
typical smut of Hollywood, sex and violence, Disney did a slight of
hand and created subsidiaries which Disney runs, which has allowed them
to keep their good image. They also never showed the public the hard core
porn that was made for years in secrecy for the elite. Behind Disney’s
good front lies hard porn, snuff films, white slavery, Illuminati
mind-control, and the seduction of several generations into witchcraft.
Disney’s involvement in these kind of things will be explained in this
chapter. Nobody has sold America witchcraft as well as the Disney
brothers. Movie after movie has cleverly brought the occult into the warp
& woof of American thought, all under the disguise of entertainment.

For instance, it was Disney that brought us cannibalism and told us that
it was a “triumph of the human spirit” (a direct quote from
Disney’s Touchtone Producer Robert Watts concerning Disney’s movie
“Alive” featuring survivors of an airplane crash who turned to
cannibalism). Under the disguise of entertainment & showing us how
“triumphant” the human spirit was, they subtly promoted cannibalism.
Mickey Mouse plays a leading role in “The Sorcerer’s Apprentice.” And yet
when this author has suggested that Disney movies aren’t wholesome, many
Christian parents come unglued and have gotten angry with this author.
The deceptive image that Disney movies are wholesome is a triumph in
Illuminati deception. Parents would be surprised what is slipped into
cartoons. In Disney’s “The Little Mermaid” the castles are male
sexual organs. In one cartoon Mighty Mouse is shown without comment
clearly snorting cocaine. Walt Disney Studios Chairman Joe Roth is in
charge of Walt Disney as well as subsidiaries Touchtone, Miramax, and
Hollywood Pictures, which were all created to camouflage the Disney
production of adult films. Disney operates in a clandestine manner
regarding the promotion, distribution and rating of the films produced by
their subsidiaries.   


DISNEY MAKES MALE PHALLUSES INTO CASTLES.
Roth oversaw Disney’s subsidiary Hollywood Pictures’ Evita film. Evita has as
its main start “Material Girl” Madonna. Madonna is in reality
a mind-controlled slave who has appeared in numerous underground
porn/&ritual porn movies. (This author has an underground catalog
from a porn business, that has recently changed its location of business.
The catalog offered a film of Madonna performing an actual blood
sacrifice.) She also was the main actress in Disney’s Dick Tracy film
which is reported to be used for mind-control. During an Arsenio Hall
show, Madonna, who as a guest acted dissociative, was picked up by the
cameras during the show kissing her Baphomet ring. Disney controls the
products that are associated with the movies of their subsidiaries. In
Evita’s case they are marketing hats and other items, as just one more of
Disney’s countless artificially generated consumerism campaigns. In Ruth
Stein’s interview of Madonna, Madonna appeared bored with
plugging Disney’s consumer products. When asked about the tango dresses
and hats inspired by Evita that popped up in stores after the film,
Madonna said,“Believe me, I have nothing to do with it. Disney is
pushing the whole thing.”(San Francisco Chronicle, 12/29/96,
Datebook section). In one interview Madonna states she wants her daughter
to grow up knowing Catholicism, but she doesn’t believe that it would be
good for her daughter if Madonna married the father of her child
Lourdes, from Carlos Leon. In another interview, Madonna says, “Actually, I’m a
very good role model, because I say, ‘Look, these are my standards’...”
She then goes on to plug homosexuality, same sex marriage, and single
families in the interview. Walt Disney stated that it plans to release an
album by DANZIG, a heavy metal band whose songs contain “dark themes”.
The Disney press release announces on its by-line “Mickey Mouse is going
heavy metal.” Disney’s album ,,BLACK ACID DEVIL” was due to hit the music
stores Oct.30, 1996 during Halloween time. According to Disney this
music has no satanic references, but does have “dark, Gothic and sexual”
overtones. Glenn Danzig denies that he is a satanist.


CONTENTS IN THE DISNEY DECEPTION SECTION OF CHAPTER 5.
a.  an introduction
b.  an overview
c.  Who was Walt Disney?
d.  Who was Roy O. Disney?
e.  Who is Roy E. Disney?
f.   What do we know about the in general?
g.  A history of Disney
h.  Disney and its mob connections
i.   Disney and its government connections
j.   Disney and mind-control
k.  Detailed Script of how one Disney movie is used for programming.
l.   Partial List of Sources 

B. AN OVERVIEW
Disneyland and Disney world are world famous and the pride of America.They are also
extremely important programming centers for the Illuminati to create
total mind-controlled slaves. Disneyland is also involved with
providing a place for rituals, porn and other satanic activities. In
terms of deception,Disney movies and Disney Amusement Parks rate as one
of the best deceptions. According to deprogrammed ex-Illuminati slaves,
the Illuminati in the 1960’s needed to shift their programming away from
the military bases, because too much publicity (heat) was shined on the
military bases. Their goal was to have someplace that people from all
over the world could come to without raising any suspicions, and a place
which would be the perfect cover for many of their criminal activities.


According to a witness, the Illuminati Programmers got a big laugh out of using
Disneyland as a major Illuminati base for criminal activity. Under
the disguise of entertaining the world, they carried out money
laundering, child slavery laundering, and mind-control. They nick-named
Disneyland “the little syndicate of mind-control.” When a child of 3 or 4
was kidnapped, they could torture the child and then put him on a ride
such as a ferris wheel or carousel that a. created dissociation from the
pain, while also b. going along with some fairy tale programming script.
An abducted child while waiting to be picked up from one Illuminati
non-parent caretaker by another, could be kept happy and distracted while
waiting for the pickup. For years, Disneyland was an Illuminati
center for many of their world-wide activities. Now Disney has created
other sites around the world such as Euro Disneyland 20 miles east of
Paris and Tokyo Disneyland. Tokyo Disneyland in 1991 had 16 million
people attend. With such huge crowds, it doesn’t take much imagination
how the Illuminati have been able to do sneaky criminal activities right
in front of people, and the public never sees it, in the middle of all
the activity. Euro Disney has been a money losing affair, but the Saudis
who benefit from its mind-control, gave Disney the money to keep it
financially in business. Walt Disney Records is the largest children’s
record label in the world. Disney through their movies, books,
toys,records, etc. has made a tremendous impact on the children of the
world. Their movie Return from Witches Mountain was one of the most
powerful witchcraft promotions ever made. Ducktails, which has deliberate
Monarch mind-control triggers written into the script, is also broadcast
in Poland and the former USSR.


From the time of the Roman Empire (at least, if not before) the oligarchical leadership, who
have been in control of both the Mystery Religions and European
aristocracy, have known about BREAD & CIRCUS. Bread and Circus refers
to the concept that IF the masses of people are given entertainment
and food staples, THEN they are easy to control. Walt Disney movies have
played a key role in providing entertainment for the masses to insure
Illuminati control. Walt Disney’s friend the Masonic prophet H.G. Wells
in his book A Modem Utopia that there would be lots of shows in the New World Order.
The World Future Society in a book review in their publication Future Survey Annual, 1993,
(ed. Michael Marien, Bethesda, MD:    World Future Soc., p. 91)
describes Disney: “Control of commodities [such as entertainment] and
access to commodities translates into control over people.‘The
postmodern US is a massive rush of disconnected commodities, each
seeking a moment of our attention.” The world of commodities is our soma,
and entertainment is the current form of public discourse. Walt Disney
World,spread over 27,400 acres of central Florida swamp and scrub
forest, ‘is the most ideologically important piece of land in the U.S.’
What goes on here is the quintessence of the American way. It is visited
by over 30 million people a year--not only the major middle-class
pilgrimage center in the US, but by far the most important entertainment
center in the world. It is clearly Oz, utopia as a marketing device.”


Two Disney brothers Walt (Walter Elias) and Roy O. Disney have been at the
center of the creation of amusement parks and popular Disney films. In
more recent times, two other men, Eisner and Katzenberg have been notable
at Disney.Eisner & Katzenberg, as well as others will be discussed
later. One of Disney’s directors, Victor Salva, was convicted of
molesting a boy and filming one of the sexual molestations. Recently
Disney Director Salva produced the Disney movie “Powder”. (Victor Salva’s
sexual molestation conviction was covered by newspaper articles such as
Robert W. Welkos of the LA Times, in newspapers such as The Oregonian,
Weds. Oct. 25, 1995, A sect.) The impact of the Disney brothers is monumental.
Mickey Mouse tee shirts can be seen being worn by natives all over the world.
Disneyworld and Disneyland are the quest for a large segment of humanity, who
often esteem these amusement parks as the highlight of their life. What
is highly esteemed among men, is an abomination to God according to the
Word of God. The Bible arbitrarily makes this claim,but sadly, research
by this author over the years proves that a close examination of Disney
& mankind’s esteem for “Disney” things does vindicate the Biblical
expectation. In other words, as readers of this article will find out,
behind the appearance of wholesomeness of the Disney brothers and
their creations lays abominations-- some of the most grotesque aspects
of generational occultism the world has ever seen. Disney’s Magic
Kingdom has become an American Institution that impacts people all over
the world from the cradle to the grave.

C. WHO WAS WALT DISNEY?
In the large book The Art of Walt Disney from Mickey Mouse to the Magic Kingdom
by Christopher Finch (N.Y.: Harry N. Abrams, 1975) on page 11 an interesting and
revealing statement is made: "By definition, public figures are known to everyone; yet,
even after talking with some of Disney's closest associates, it is impossible
to escape the conclusion that nobody really knew him. Always there was
some aspect of his personality that was just out of reach."


Those who got to know Walt too closely make complaints such as he
was“self-satisfied, intractable, and arrogant.” He could bring his
artists to tears or anger in a matter of seconds. Finch is not the only
author who has tried to warn his readers that the public’s image of Walt
Disney was just that--only a false image. Mosley also writes in his
biography of Walt Disney,“Since Disney is regarded by millions of
people, particularly in the United States, as perhaps this century’s most
brilliantly successful creator of screen animation, I think I should
make one thing clear right away. I share the general admiration of a man
whose cinematic achievements were always so happily inspired and
inspiriting. But--and this is where I differ from uncritical idolaters--I
have to know all the facts, no matter how unpalatable, as well as the
romantic myths about any great man or woman I admire. Many of the
myths that have been created by his publicists about Walt Disney are
unpalatable,unbelievable, and unsatisfactory because so much of the real
Walt Disney has been deliberately concealed.. .Walt Disney...had grave
flaws in his character.”(Mosley. Disney’s World, pg. 9) Years
ago, an Illuminati Grand Master and programmer stated, “If the world only
had the eyes to see the fibers which lay under the surface of Walt
Disney’s image, they’d tar and feather him, and drag him through the
streets. If only they knew what Disney’s primary goals."

PERSONAL DETAILS
Walt had black hair with a black mustache, and bright quick eyes and was
about 6’ tall. He used his own facial features to clue artists on how
to draw Mickey Mouse’s features. He liked specially rolled brown
cigarettes which he smoked up to 70 a day. He picked up the smoking habit
in the army. He loved expensive Scotch Whiskey, red sunsets, and horses.
He had a vacation home in Palm Springs, CA called the Smoke Tree Ranch.
He often wore the Ranch’s letter STR emblazoned on his necktie. He played
lots of golf with Bob Hope and Ed Sullivan at the ST Ranch. His main
home was an estate in Holmby Hills. The Holmby Hills estate was located
in a plush area where lots of rich show-business families lived. It was
located between Bel-Air (an occult word for Satan) & Beverly Hills.

Walt spent many of his nights at the Disney Studios and later he had his own
private quarters at the center of Disneyland. He had reoccurring bouts of
insomnia. (For his nerves and insomnia he’d take alcohol and
tranquilizers.)He’d go weeks on end without stepping foot on the Holmby
Hills estate and seeing his family.

The main topic at the studio by the staff during different time periods was Walt’s
bizarre behavior-- he would not be available until late afternoon,when he would
emerge from the studio’s subterranean maze of tunnels, where supposedly
he was “chatting with the maintenance engineers” everyday. The value of
his estate when he died was 35 million dollars of which Lillian
his wife inherited half. In his later years, when Disney took a vacation
he went to Paris for 3 weeks, and 3 weeks at the Hotel du Cap, in
Antibes, and then cruised on Fritz Loew’s yacht with Ron and Diane
Disney. In England, Walt spent time with the British Royal family and met
privately with masonic prophet H.G.Wells. In Rome, Walt visited
privately with the Pope and the dictator Mussolini. In 1966, Walt Disney
died. Prior to his death he had investigated cryogenics--being frozen,
and it is believed by some that his body is frozen somewhere in
California, while others claim he was cremated.

MICKEY MOUSE
According to one source, the inspiration for Walt to create Mickey Mouse came when
he was unemployed and saw a mouse in the gutter. There are quite a few
stories in circulation as to where the idea came from. Ub Iwerks claimed
he thought Mickey up at an animator’s meeting in Hollywood. Walt
once said, “There is a lot of the Mouse in me.” (biographical article
written by Elting E. Morison, p. 131) In fact, Ub Iwerks told Walt that
Mickey Mouse“looks exactly like you--same nose, same face, same
whiskers, same gestures and expressions. All he needs now is your voice.”
Walt often did serve as Mickey’s voice. A book put out by Walt Disney
Co. in 1988 reveals that Walt Disney told Ward Kimball “Quite frankly, I
prefer animals to people.” Walt usually was the voice behind Mickey
Mouse, (even though he wasn’t the artist.) His mother was chilly for
years about the work Walt did. Around 1940, after much pleading,
he finally got her to watch Mickey Mouse. His unsupportive mother (which
he would within a few years learn was not actually his biological mother)
told him she didn’t like Mickey Mouse’s voice, to which he told her it
was his, and then she responded by saying he had a horrible voice. The
“cold towel” she threw on Mickey Mouse helped convince Walt to quit
making Mickey Mouse cartoons. Very few came out of Disney after that, and
the very next Mickey Mouse full-length feature cartoon, Fantasia, had
Mickey mostly silent.


Walt’s idea for The Sorcerer’s Apprentice was based on some of his own ideas.
Walt had had the dream which was used for Mickey Mouse in The Sorcerer’s
Apprentice of having “complete control of the earth and the elements.” Disneyland
and Disneyworld were partial fulfillments of that dream for control.Walt’s
final pet project just prior to his death was the meticulously restored version of the
witchcraft film, "Bedknobs and Broomsticks.” (Disney Magazine, Winter
96-97, pub. by Disney, p. 96 mentions this.) As a programming device,
Mickey Mouse works well because it plays on the subconscious genetically
transmitted fear of mice that women have. Mickey’s image can help create a
love-hate relationship, which is so valued during the traumatization
& programming of mind-controlled slaves.


Some sources state that Walt’s love for animals came from the time his family
had a farm near Marceline, Missouri. Walt began his schooling
atMarceline, but continued it after the age of eight at Benton School in
Kansas City, MO. Walt’s Dad had a serious gambling problem and passed
the spirit of gambling to his son Walt. Walt never graduated from high
school. He had a natural love and a flair for art work, although
(contrary to his public image)he never became proficient at it. He
joined the army in W.W. I as an ambulance driver by lying about his age.
During the war, he also chauffeured dignitaries.He also did some other
things that are very revealing. He enjoyed drinking & gambling while
in the service, and he ran a scam where he doctored German artifacts
picked up on the battlefield to sell to people. War relics were tampered
with to get them in shape to get the most money from them possible.Walt
took the battle souvenirs - and dressed them up, for instance, coating
the insides of helmets with grease, hair & blood and putting holes in
them to make them into expensive souvenirs. This shows that Walt was
willing to build illusions if it paid. He could be deceptive if he saw an
advantage to it.


From gleanings from things Walt said to people, it
appears that as a child, he’d seen the darker side of life (for instance,
his father had a habit of beating him in the basement) and had had some
interest or exposure to magic as a child. Bob Thomas writes, "Walt took a
boyish delight in playing tricks on his parents. He was fascinated with
magic tricks...” (Walt Disney, An American Original, p. 35.) After
the military, Walt hoped to have a career as an artist. He applied to
the advertising agency of Pesman-Rubin. Roy, his brother, claimed that
Pesman-Rubin hired Walt as a personal favor to Roy who handled the
agency’s account at the bank Roy worked at. Walter lasted a month until
the advertising agency let him go due to Walt’s “singular lack of
drawing ability.” According to Current Biography 1952, in 1923, Walt and Roy
had together $290. They borrowed $500 from another Disney, one of their
uncles named Robert Disney and began to try to make cartoons. Robert Disney
had retired in the L.A. area in Edendale, CA after a successful mining career.
Robert had always been close to Walt’s father Elias, and helped Walt and Roy
out when they came to California. Walt loved to study Charlie Chaplin (a member
of the Collins family). He scrawled notes about his body language,
facial features, and his gag methods. He also read everything he could
about animation and cartooning. They worked out of their uncle’s garage
in Hollywood, CA. They were finally able to make a good cartoon Steamboat
Willie in 1928, which became an instant hit. As with many things in
life, the cartoon was not only good, but Walt finally had the right
,,connections.” On Nov. 18, ’28, Steamboat Willie was shown in a small,
independent theater without any advance promotion or advertising. But
amazingly(!) the New York Times, Variety, and Exhibitor’s Herald all
ran rave reviews of the cartoon the next day. Was this an accident? did
journalists from all these prestigious periodicals just happen togo to
this tiny independent theater? no it was connections. The reason
the elite decided to promote Walt Disney after Steamboat Willie came out
as Hollywood’s newest “boy wonder” was to deflect enormous bitterness
that had been generated by the Stock Market collapse toward Jewish
financiers.

Hollywood, even in its first two decades, was known as
“Babylon” and “Sin City”. The movie industry was well-known to be run by
Jews, and many people blamed the Stock Market Crash on the moral
degradation that Hollywood had introduced to this nation. There were
calls for government regulatory groups to stop the smutty Hollywood
films. Edgar Magnin, the spiritual leader of the major movie makers who
were part of the Los Angeles B’nai B’rith reportedly encouraged those in
the Mishpucka and others who were B’nai B’rith movie makers that
Hollywood needed to protect itself by putting Walt Disney in the
limelight as a Christian “white knight with family values”. (By the way,
Edgar Magnin was nicknamed “Rabbi to the Stars”, because he was “the
Hollywood rabbi”.) E.Magnin’s grandfather’s department store chain was
one of the first major accounts of the Bank of Italy, and Edgar Magnin
had continued his family’s close association with the Bank of Italy. The
closeness also came from the Bank of Italy’s close ties to the B’nai
B’rith and ADL. In 1930, the movie industry made a production code which
stated that the industry must make a special effort to make movies
appropriate for children. Hollywood directly praised Disney in that code
as an exemplary model of what the movie industry wanted to do. With the
power of the B’nai B’rith and ADL behind him, Walt began sailing to fame.


Movie studios that had been turning out smut, with lots of sex
and violence all jumped on the bandwagon to show Walt’s clean wholesome
cartoons.Walt was the facelift Hollywood needed after the Depression
caused Americans to think about America’s morals. Many of the regular
movie makers were so corrupt they were out of touch with moral issues,
but Walt Disney knew black from white. The Jewish movie makers “pushed
the man [Walt] they considered their best hope to the front of the pack”
who was billed as a fundamentalist Christian (albeit a masonic
“Christian” who rarely stepped foot in a church).(quote from Walt Disney Hollywood’s
Prince of Darkness, p. 50.) Strangely, the biographies indicate that Walt quit doing
the actual drawing in 1927, and Walt devoted himself entirely to the development
of the cartoon business, such as raising money. In other words, the image of Walt
Disney being the artist who has created the Disney cartoon’s is inaccurate. The
Disney brothers actually hired many other artists to do the art work. If
Walt quit drawing in 1927, and their first marketable cartoon was in
1928, that clearly shows that Walt did not do the actual cartooning. He
continued to oversee the work, walking in and rigidly inspecting what was
being done to suit his own intuitive tastes.Actually the genius cartoon
artist (animator) who made Walt Disney a success was Ub Iwerks, about
whom Walt on a number of occasions said was “the best animator in the
world”. Without Ub Iwerks to take Walt’s ideas and turn them into
reality, Walt would never have become famous. Ub was an incredible
genius who had a sense of line, a sense of humor, patience, organization
and a great sense of what Walt wanted. Walt treated him cruelly at times,
interrupting him,playing tricks on him, and not being totally honest
with paying him, but he stayed with Walt over the years and made Walt the
success Walt became. (The books Disney’s World and Disney Animation: The
Illusion of Life have information on the unheralded genius Ub Iwerks.) Another
unknown great artist was Floyd Gottfredson. Floyd Gottfredson drew all the
Mickey Mouse cartoons from 1932 until October, 1975--which is a period of
45 1/2 years. Floyd Gottfredson was a Mormon born in a railway station in 1905,
and raised in a tiny Mormon town, Siggurd, 180 miles so. of Salt Lake City.

In 1931,before Floyd totally took over the Mickey Mouse drawings, he
would take suggestions from Walt on what to draw. For instance, Walt
puzzled him by insisting he do a cartoon series of Mickey Mouse
committing suicide. Floyd had said, “Walt, You’re kidding!” But Walt
thought that a series on suicide would be funny. Over the years the Walt
Disney products never mentioned Floyd’s name.


The bulk of the fans were led to believe Walt did the cartooning of Mickey Mouse
himself. (See the book Walt Disney’s Mickey Mouse in Color. Ed.Bruce Hamilton, pub.
The Walt Disney Co., 1988.) Fred Moore was involved in the creation of
Pluto and some other cartoon characters. The idea for Pluto was Walt’s
and it was Norm Ferguson’s genius at drawing that took the idea
and created the actual images. Walt Disney was awarded 32 personal
academy awards for the work that was done by his studios. Walt Disney’s
famous signature wa sactually designed by someone else, and was taught to
Walt. (Schickel, Richard. The Disney Version: The Life, Time, Art and Commerce of
Walt Disney. NY, 1968,p. 34.) Walt could only make a crude Disney signature, so
he delegated the writing of the signature to several artists including Bob
Moore, Disney’s publicity artist. Later, after much practice he learned
to make it well enough to do for publicity. Many people who wrote letters
asking for his actual signature, and who actually did his signature,
thought that they had received forgeries by his staff, because the famous
Disney signature was so crude. The nicer looking ones were the
forgeries. One cartoon animator who joined Disneyin 1940 recalled that
Walt told him the first day, “You’re new here, and I want you to
understand just one thing. What we’re selling here is the name
Walt Disney. If you can swallow that and always remember it, you’ll be
happy here. But if you’ve got any ideas about seeing the name Ken
Anderson [his name] up there, its best for you to leave right away.”

OCCULT PORN KING
Walt grew up fascinated with
the occult and in an abusive home situation. He was fascinated with
cartoons, nature and children. He had an intuitive sense for quality
cartoons that would appeal to children. At some point, the syndicate got
him indebted to them. At that point he was their man.He owed them a debt
that they held over him. In secret, Walt became a porn king. A victim
remembers that he was sadistic and enjoyed snuff porn films. His interest
in children was far from altruistic. The Hapsburgs of the
13th Illuminati bloodline had a sex salon in Vienna, where a porn
photographer named Felix Salten worked. Felix Salten wrote a book Bambi, which
was then translated into English by the infamous communist Whittaker
Chambers. The elite were just beginning to form the roots for today’s
environmental movement. The book appealed to Disney, because Disney liked
animals better than people. In the book, tame animals view humans as
gods, while the wild and free animals see humans as demons who they
simply called “Him.” The book begins with both free and tame animal
viewing humans as rightly having dominion over them. In the end, the
animals view all humans as simply being on the same level as animals,a
vicious animal only fit to be killed. Disney instructed his animators to
make the animals “to be human. I want people to forget they are watching
animals.”Bambi was to receive a Christ-like manger birth, with the
animals hailing him as a “prince.” Due to his sexual problems, Walt at
one point permitted himself to be subjected to the packing of his genitals
in ice for hours at a time. (Elliot,Walt Disney Hollywood’s Dark Prince, p.83.)

Children were instructed to call Walt “Uncle Walt.” An example of
this were the Mouseketeers. For those who know how mind-control
programmers have traditionally liked to be called “uncle” by their child
victims, the insistence by Walt to be known as “uncle” is distasteful.
From what this author has learned from some sources about
Walt’s non-public life as a hidden sadistic porn king, it raises
questions about other parts of his life. For instance, Kenneth Anger in
his book Hollywood Babylon II, p. 192, “Some animators stated that
the boss [Walt Disney] seemed to have fallen in love with the boy. There
may be some truth in this...” The boy,who Walt fell in love with, was a
small young attractive boy actor named Bobby Driscoll who signed up in
1946 with Disney. He acted in Song of the South, Treasure Island and
Bobby’s voice was used in Peter Pan. Bobby Driscoll was very intelligent
and attractive. Did Disney help or abuse him? If Disney was such an
upbuilding wholesome atmosphere, & this child actor had
everythinggoing for him, why did Bobby become a methamphetamine addict
at 17 & die within just a few years? Why didn’t his talent &
early career lead to something positive in his life? From those who knew
Walt personally one learns that he had an obsession with the buttock part
of anatomy. He enjoyed jokes about this part of the anatomy, which he
told to his staff quite frequently. The staff edited out many of his
crude posterior jokes from cartoon scripts. Two examples that got by the
editors are a Christmas special where a little boy is unable to button
the drop seat of his pajamas. The little boy’s problem in maintaining his
modesty is the running gag of the cartoon. In the end, Santa gives him a
champer pot. The 2nd example is the paddling machine used on the wolf in
The Three Little Pigs. Numerous Disney cartoons feature buttocks
of characters provocatively twitching.

AS A WITNESS BEFORE CONGRESS
After W.W. II, Walt Disney was called upon by Hollywood to testify in their
defense at the Un-American hearings which were being carried out
by congressmen who were concerned about the heavy communist influence
within Hollywood. Walt downplayed any communist influence in Hollywood to
Congress.Interestingly, Walt’s father was an outspoken Socialist Party
leader in the United States who advocated a socialist New World Order. He
regularly voted for socialist presidential candidate Eugene Debs. One of
the first drawings Walt did as a boy was to duplicate the socialist
political cartoons he found in a socialist periodical Appeal to Reason that
his father subscribed to.When Walt asked in the 1930’s how his father
felt about socialism’s successes,his father Elias said, “Today,
everything I fought for in those early days has been absorbed into the
platforms of both the major parties. Now I feel pretty good about that.”
(Thomas, Bob. Walt Disney, An American Original, pg.147-148) Walt’s movie
Alice’s Egg Plant (1925) was pure communist doctrine where the red hen
(communist) leads the working chickens on a strike against Julius the farm
manager (representing capitalists.) The strike at Disney and unionization of
Disney in 1940, soured Walt toward communism. The workers at Disney
publicly made personal verbal attacks on Walt & he never forgave the
humiliation. In spite of his public distaste for communism, his Magic Empire
(his castle where he was king) was run like a socialist dictatorship, similar
to what the NWO plans. Employees at Disney did not have titles; it was
faceless egalitarianism with an all powerful dictator Disney at the top.
It was racially elitist too. The only full-time African-American during
Walt’s lifetime at Disney was a black shoe shine man. Was Walt
a socialist of the National Socialist (Nazi) variety? Arthur Babbitt
claims, “On more than one occasion I observed Walt Disney and Gunther
Lessing there [at Nazi meetings], along with a lot of other prominent
Nazi-afflicted Hollywood personalities. Disney was going to meetings all
the time.” Lessing was mobster Willie Bioff’s crony. Bioff had spent his
earlier days running a whorehouse, before coming to Hollywood for the
mob. In the final panel of the Mickey Mouse comic strip of 6/19/40 a
swastika appeared. Some people have wondered what this & other
“secret signals” in Disney’s work meant. Disney was not Illuminati.The
powerful elite are very skilled at controlling people that rub
shoulders with them, those who are beginning to become independently
wealthy. For instance, they destroyed Robert Morris, the great financier
of the American Revolution. They simply used Hegelian Dialectics on Walt
Disney. Their Unions and the Mob made Disney’s studio one of their prime
targets. In order for Walt to protect himself from the unions, which he
perceived as communist, Walt got help from the FBI and the mob. Walt was
vulnerable to the unions, because he treated his workers terrible, with
long hours, low pay, in addition to repeated abuses to their dignity.

Walt’s large number of employees essentially never received any credit or
recognition for their years of creativity and hard work, which was all
essentially stolen and credited to Walt by the establishment to build his
image. (I write “essentially”, because someone might find some obscure
exception, but across the board, Walt got all the credit for what
his creative workers produced.) Perhaps Walt needed the ego boost from
all the purloined public praise which he stole from his staff to be seen
as a great animator, because he had wanted to be an artist/cartoonist and
failed. The praise helped sooth the wounds. One worker recalls that Walt
“had no knowledge of draftsmanship, no knowledge of music, no knowledge
of literature, no knowledge of anything really, except he was a great
editor.” This may not be much of an exaggeration, because Walt was a high
school drop-out, who grew up in poverty on a Missouri farm. Walt’s first
official attempt to direct a film(and last) was the film The Golden Touch in
1935. The film was an embarrassment. Walt had to pull it from
distribution. If Walt lacked abilities to animate, and direct, what was
Walt’s talent? Walt was the driving force, the spirit so-to-speak behind
Disney. He was the dictator who was feared enough to demand more from his
workers than they knew they could give--and he could get it. He was the
driving force that took a mob of artists, and gag creators, etc.and
shaped them into a powerful force to make cartoons and later movies. He
was the hard-driving genius who knew what he wanted and got others to
create it for him. He was the driving force that kept an army of costumed
sanitation men meticulously cleaning Disneyland. In normal year, Walt
would have 800,000plants replaced at Disneyland, & Walt refused to
put up signs asking the“guests” (visitors) not to trample them. How
powerful was Walt? Here is a man who during his lifetime and even up into
the 1990’s had a rule in the studio& Disneyland that no male
employees could have any facial hair, yet he himself wore a mustache for
most of his life.


A possible CHRONOLOGY OF EVENTS surrounding WALT DISNEY'S ILLEGITIMATE BIRTH

It is beyond doubt that Walt Disney was an illegitimate child, but that
fact resulted in a long list of mysterious happenings. It also gave
power hungry men, something to blackmail Walt Disney with. Because this
chapter 5 on Deception is focusing on Disney, and the big boys used
blackmail to keep Disney in line, this information is pertinent. The
following chronology of events is what this author’s believes most likely
happened. Without any genetic tests, it is difficult to determine beyond
a shadow of a doubt who Walt’s biological parents were, and what the
actual history of Walt Disney was. Several people have spent many years
investigating the real facts surrounding his birth. Many interesting and
tantalizing clues have been found. This author believes that the
following chronology is suggested by the evidence. (This
author’s chronology is offered without hundreds of pages of evidence,
because the mysteries around Walt Disney’s birth are here to stay, no
matter what excuses people come up with, and this author doesn't want to
stray from the intended purpose of the chapter.   This is to show that
Walt Disney had a secret bastard birth which gave J. Edgar Hoover --and
his superiors-- blackmail leverage over Walt Disney. Walt may also have
had gambling debts and an abnormal sexual appetite which also helped
entrap him. For those who want more evidence and facts, the following are
recommended: Almendros, Mojacar, Corner of Enchantment, p. 83; Interview
magazine, no. 242, ““Walt Disney Was from Almeria””, and last but not least
Eliot, Marc. Walt Disney, Hollywood’s Dark Prince, chapter 11.)


1890--An attractive Spanish woman Isabelle Zamora Ascenslo of Mojacar leaves
Spain and travels to California to a Franciscan monastery. In the
same year, but later on In 1890-Walt's future father Elias, who fancies
himself a ladies man, leaves his family to seek his fortune in the gold
fields. In California, he meets another newcomer to the state, Isabella
Ascensio, and the two newcomers in California have much in common, have a
sexual affair and fall in love.
1891--Elias fails to make a fortune and returns to Chicago, but he doesn't forget Isabelle.
1893--Isabelle and Elias have a son, and Elias convinces his wife to accept the baby as
theirs rather than have the family's reputation, their marriage, and
their family ruined. The son doesn't look like the first two boys at all.
1901--Isabelle and Elias have another bastard son, who Elias brings home and names
Walter after the minister of the church he attends. The two bastard sons
do not look like the older sons of Elias, and they never have much to do
with them, but cling to each other as brothers.
1903--The minister of the church Elias attends finds out about the bastard children
and Elias quickly moves out of state so that the scandal will remain
secret. Elias has also run up gambling debts.
1905--After moving to Marceline, Missouri, Isabelle is hired as the Disney's maid, so
that she has an excuse to move in with them without creating suspicions.
She probably does much of the raising and care of the two boys.
1918--J. Edgar Hoover is busy involved with the prosecution of draft dodgers in
WW I, and it crosses his desk about the case of Walt Disney committing
the crime of forging his parents signature to join the army. Cases like
Walt's were watched because people who could be blackmailed could
be resources in the future for Hoover. That year, Walt discovered that he
had no birth certificate. Waft observes his parents strange reactions
concerning his birth certificate & other questions, & begins to
deeply distrust his father.

1938, Nov. --Walt's mother dies by gas, and the Disney's maid pulls Elias to safety
from the fumes, but Walt's mother dies.
1939-40--Hoover offers Walt Disney to help Walt locate his real parents if Walt will
work for the FBI. Either Hoover already knows that he is a bastard child,
or he soon learns the truth from an investigation. This gives Hoover
blackmail power over Walt Disney, and assures Hoover that Waft will
be loyal. Hoover informs Walt Disney of the truth, and then moves to
generously protect Disney & his father's reputation. Two FBI men
plant baptismal information of a child born to Isabelle in 1890 named
Jose Guirao in Mojacar,Spain. This date is 10 years off of Walt's
birth date, and is intended to throw people off track. They can't plant a
fake birth certificate for Waft in the records for 1901, because everyone
knows from WW I that none exists. Therefore,they plant a fake birth
certificate for Walt in the Illinois State records inthe year 1890. They
hope people will think that somehow a filing error occurred. This way if
anything leaks, and worst came to worst, Waft could at least pretend he
was adopted and is not an illegitimate bastard. They pay off townspeople
in Mojacar to tell a particular story. Townspeople probably
receive ongoing payments.
1941--Walt confronts his father with the truth, and his father commits
suicide, and his real mother comes to live with him as his maid.

1954--In order to reinforce the myth that Walt was born in Spain, a group
of Franciscan monks goes to Mojacar and visibly inquires about the birth
records of Jose Guirao and/or Walt Disney. They spend time with the mayor
and make sure that everyone connects Waft Disney with Jose, who is a
fictitious(nominal) character that the FBI has created records of.
1967--A year after Walt's death, a large group of Americans (a large group
was needed because they are not skilled like the 2 FBI men in 1940)pretend
to be on "official" business for the American government.They go to Majacar
Spain to destroy all the records of Jose Guirao to insure that there will
be no Spanish claimants to Walt Disney's fortune. Later to insure that
the fictitious story is solidly in place to mislead the few who might get
by the cloud of secrecy over Walt Disney, the Spanish government does a
favor to certain powerful people and pays an investigator to investigate
the Spanish origins of Walt Disney. People of the village willingly tell
people without any fear or without any fanfare that Walt Disney was born
at their village. Unless they have recently done so, the village has
never done anything--no monuments, no markers, or anything about the
birth site of Disney.They probably didn't do this for years, because
some of the village probably knew it was a lie. With the older people
gone, the lie has probably become well entrenched as truth and there is
most likely some type of memorial to Walt Disney.

WALT DISNEY’S CHARACTER
Because the Disney deception is such a major Illuminati deception worldwide, and
because Walt Disney was the major catalyst behind all the Disney theme
parks, movies, trinkets etc. it is of importance to examine
his character. In studying historical figures, this author has tried to
get to the rock bottom truth. One may ask, how can this be done?
-especially since there have been decades of myths spread by the
establishment and their media? The following procedure which has worked
with other historical figures was also done by this author with Walt
Disney. The first part of this author’s own procedure is to study
everything that one can find on the man, paying special attention to what
bias and vantage point another author comes from. Special attention is
also paid to biographers who try to give the whole truth as they have
found it, rather than approved biographies that repeat myths,
platitudes,and flattery. The investigator has to be careful because
there are authors who deceptively say in their introductions that they
are “detached investigators”who are “going to be painfully honest in
their reporting” when they actually are skillful coverup artists for the
person they write about. When your author, Fritz Springmeier, finished
investigating written material about Walt Disney,then I mentally placed
what I knew on the shelf temporarily, and did a handwriting analysis
based on the scientific principles of Graphoanalysis as well as the
broader field of Graphology. This author is a Certified Graphoanalyst who
has done handwriting analysis professionally.
Using Graphoanalysis/graphology is an excellent way to get an unbiased
very deep look at a historical figure.


It is a way to by-pass all the propaganda and myths.However, a close historical
look and the handwriting analysis (of various historical figures) have always
matched each other, as they did in this case too. Here is what was found. The
following paragraphs are how Walt was in the1920’s. The personality
profile you will read did not endure. Under the pressure of micromanaging
Disney Productions as well as living with financial stresses, by the
1940’s, Walt could be found in rages giving rough treatment to his wife,
and rough spankings to his two children. He went to
psychiatric counseling to cope with the stress. And unfortunately with
the progression of time, by the 1960’s Walt had become a sadistic
egotistical alcoholic. One biographer described him as ,,...a bully and a
know-it-all” (Disney’s World,p. 220) Even then Walt had men
working for him, such as Bill Walsh (who had been a orphan as a child)
who worshiped Walt. But here is how he was in the1920’s:  Walt was a
self-motivated individual with lots of energy which was constantly
seeking some outlet. (People have written much about this trait of his.)
He was more the giver than the taker in relationships. (In the first few
years, when he was responsible for making business contracts he often
gave away his work without setting prices for profits. He even wrote
letters to his boss to the effect that his first priority was good
cartoons not profits, and that he’d work without profits, but he did want
some appreciation for his work.That was his sensitive nature showing.)
Walt wouldn’t wait for others to come up with an idea or someone else to
make a move--he was there first. He could communicate his ideas with
clarity and ease and move easily from idea to another. (He would storm
into Disney Productions and spew one idea after another into his workers’
ears.) He enjoyed competition. He had a quick mind and keen perception.
He frequently acted on intuition and impulse, taking chances and
endangering his own security. (He frequently gambled all his life savings
and everything he could scrape together on a project.) Long projects
bored him. (Fortunately the real tedious work of cartooning was done by a
large staff of artists.) House chores and repetitive chores bored him
and he avoided them.(He was absolutely a total slob around the house as a
bachelor.) He was impatient with vague philosophies, he liked concrete
realities. He was difficult to get along with because he had both a
playful side (even to the point of cruel practical jokes) to his personality
and an aggressive intolerant impatient side that wanted to achieve.

Naturally, people around him were disconcerted because on a
subconscious level they never knew which side of him they would deal
with. (The reference series Current Biography “Disney” article p.
248 gives the following Walt Disney quote, “We don’t even let the word
‘art’ be used around the studio. If anyone begins to get arty, we knock
them down.”)He was geared for action. He was always inventing ways to
get what he needed.He could be explosive when provoked. (The old time
associates of Walt remember his explosive temper.) He was a person of
dynamic energy, sensuality and keen thinking, and a disciple of the
pleasure principle. Because his father was so abusive and misused his
position of authority, Walt came to be deeply ingrained with defiance
toward authority. (The themes of his films repeatedly sympathize with
those who rebel against authority, and the police and other
authority figures are consistently shown as absurd. One way he expressed
irresponsibility was with lively dance scenes, which has been a hall-mark
of teenage rebellion during the 20th century. “Comic anarchy reaches its
fullest expression in Alice Rattled by Rats, which shows what the rats
do when the cats goes away!) He felt that rules were for others to
follow. (That is one reason he would step outside of the law and commit
illegal acts. This is one trait that may be responsible for some of the
criminal activities Walt ended up participating in.) Walt also didn’t
like to be closely supervised. (He wanted to manage his Disney
Magic Kingdom as if it were his own kingdom. He wanted to be an authority
figure, and indeed became the dictator of his Magic Kingdom. When his
workers differed with his own views he felt that they were infringing
upon his own inalienable rights as an individual.) He was somewhat of a
melancholic temperament, that type of perfectionist who still enjoys
life. He felt a need to protect himself against intimacy with others. He
was most home in a setting which he made for himself.Walt had the traits
of an executive. He was slow to reveal his innermost feelings, and
definitely set his own goals. Walt was one of those persons that when the
going got tough, he hung in there. Likewise he would cling to his ideas,
plans, and possessions. (His stubborn refusal to allow his brother
Roy to stop the creation of Disneyland led to events that split the
brothers. His determination to succeed was taken advantage of by the
crime syndicates to blackmail him with some debt. In order to get his
dreams, he was willing to give them what they wanted.) A clue to Walt’s
macabre sense of humor, at times almost a graveyard sense of humor, and
his high tolerance of seeing pain in others, is that Walt was seriously
thinking of volunteering again as a medic after the W.W. I fighting in
France was over, when volunteers were needed for the Balkan fighting.
Walt loved animals more than people. The only human being that he had
rapport with while growing up on the farm was his Uncle Ed (who he called
Uncle Elf), who looked like a cross between a leprechaun and a
prune.Uncle Elf could make animals sounds and bird whistles to Walts
delight. Walt loved the charm of the farm and nature and he loved
royalty, pageantry and a strict social hierarchy such as Freemasonry
provides. He often wove a combination of the barnyard in with royal
parades and other trappings of royalty. For instance, in Alice the Piper,
the King Hamlin is a farmer who sleeps in a farmhouse. In Puss in Boots
the local king lives in an authentic palace incongruously placed in a
village. His early film Alice’s Day at Sea includes both the features of a
royal court and an American circus. In typical Disney disdain for
authority, he pokes fun at criminal fraternal groups with their rituals
and passwords in Alice & the Dog Catcher, Alice Foils the Pirates,
and Alice’s Mysterious Mystery. And while he was a secret FBI agent,he
went against Hoover’s wishes and poked fun at the FBI’s authority. Walt
was loyal to what he believed and could be loyal to those individuals who
he deemed worthy of his loyalty, but he didn’t want anyone to have
authority over him.(Walt was a 320 Freemason & an occultist, he was
loyal to that philosophy and loyal in his early years to his older
brother Roy O. Disney, who was a father figure to him.) If anyone at the
studios agreed with him when he was angry at his brother Roy, he or she
risked losing their job. Both brothers were protective of each other, and
felt they were the only ones who could criticize the other one.

D. WHO WAS ROY O. DISNEY?
Roy O. Disney was born in 1893, and his brother Walt in 1901. They had three
other brothers, but Roy and Walt (1901-1966) were only close to
each other and not to their other brothers, who didn’t resemble them.
Walt was named Walter Elias, his middle name derived from his father’s
first name. The Disney family had immigrated from Ireland to Canada and
then to the U.S. The father of the brothers as stated was Elias, and
their mother of Scottish descent, who may not have been the biological
mother, had the maiden name Flora Call. Roy died in 1971, shortly after
the opening ceremonies for Walt Disney World. He kept his promises to his
brother to build Walt Disney World. He reneged on his promises
concerning the city of Epcot (which was derailed into becoming
EPCOT). Roy O. during the 1930’s lived in North Hollywood. Roy’s family
later located in Napa Valley, CA, and was associated with the Illuminati
kingpins in the area. Napa Valley has been nicknamed the Valley of Kings.
This “Valley of Kings” plays a major role in the dirty activities
revealed in this chapter. Roy0. Disney played a bigger role at Disney
Studios than people realize. For example, it was Roy O. who made the
decision to cut 45 min. out of Fantasia, so that Walt’s pet project could
be distributed to movie theaters. Roy O.,considered by some insiders as
the more evil of the two brothers, kept the financial books for the
Disney’s down through the years. It is known that Disney kept two books
during the 1950’s, so it is hard to believe anything except that Roy 0.
was fully aware of how Disney brought in their money. The big boys always
kept the financial screws to Walt and Roy. The big boys often figured
out scams to take their money. When the Disney brothers had
an arrangement with Columbia Studio (run by Harry Cohn) they were
advanced $7,500for each cartoon which cost them an unprofitable $13,500
to make. Further, Cohn liked to cheat them by not sending them their
money, and taking a ridiculous amount of time to pay them what he owed
them. The cash flow problems of the Disney brothers also came from Walt’s
desire to keep improving and upgrading the technology they used. When
Walt went to color over Roy’s objections, Disney’s profit margin was
damaged and the studio was left with shortages of cash.


In 1937, Walt’s repeated gambles with cartoon production ideas caused Roy O.
to say, “We’ve bought the whole damned sweepstakes.” From 1940 through
1946,Disney lost money every year. In '46, he lost $23,000. Finally in
1947, things turned around and the Disney studio made a profit of $265,000.
Cartoons and movies were not really big moneymakers for the Disney brothers,
until it was realized that old films could be replayed on television. Overall,
from the20’s through the 50’s, the Disneys may have broke even with
animation. This is why Disney Studios at Christmas, 1931 was unable to
pay its payroll. Pinocchio cost $2.6 million to make in the late ’30’s,
an amount hard to retrieve at that time from the box office, and
Fantasia’s original release in the ’40’s was a dismal financial failure.
When Sleeping Beauty was released in 1960, it was a loser, movie goers
were apathetic towards it. The real money made by the Disney brothers in
the 1930-1950’s came from the merchandising of Disney products,
the production of underground hard porn, and the kickbacks from various
groups which used Disney for mind-control programming, and money
laundering. When Walt died, his shares in Disney were worth $18 million.
His family all in all held34% of the stock in Walt Disney Productions.
Roy o. Disney’s daughter Dorothy Disney Puder & husband Episcopalian
Rev. Glen Puder purchased property at1677 Sage Canyon Rd., Napa Valley
east of Rutherford. (This is close to the Rothschild’s Opus One Temple
mentioned in VoL 1.)O.J. Simpson’s lawyer Johnnie Cochran
Jr. was in the Rothschild’s hard-to-enter Opus 1 when the jury arrived at
a decision in O.J. Simpson’s case.) It is very typical for Mafia
families in south Boston to have one family member in the clergy
&one full time in organized crime. (See author’s Be Wise As Serpents
for an expose on the Episcopalian Church, which is simply a branch of
Freemasonry.)All kinds of interesting Mafia figures, Illuminati, and
Bohemian Grovers live up the Sage Canyon Rd. This is an area that has a
large well-kept cemetery for pets. Frank Well’s sister and Rich Frank,
who will all be discussed later in this chapter, also live on Sage Canyon Rd.

E. WHO WAS ROY B. DISNEY?
Roy Edward Disney (nephew of Walt) is the son of Roy Oliver Disney(brother
of Walt). Sometimes he has been called Junior. The 9/5/94 Newsweek story on
Disney’s Magic Kingdom called him “Keeper of the Flame.” Roy is an
executive with Walt Disney Co. at 500 5. Buena Vista St., Burbank, CA
91521. He has worked as an asst. producer at Walt Disney Co. from 1954 to
1977. He has also been the vice-pres. of Walt Disney Co. He is president
of Roy E. Disney Prodns.in Burbank. He is chairman of the board for
Shamrock Broadcasting Co. As if that weren’t enough, he is on the board
of directors for St. Joseph Med. Ctr.,fellow U. Ky. Recipient of the
Academy award nomination for Mysteries of the Deep. He is a director of
the Guild American West, the Writers Guild, which is important. He
belongs to the 100 Club, the Confrerie des Chevaliers du Tastevin, and
St. Francis Yacht Club. He likes speed boat racing. Roy E. Disney was the
cocky son of Roy O. He married a gal named Patricia. He was
merely tolerated by his uncle Walt, especially after Roy E. made some
snide remarks about Walt’s plans for Disneyland, which he and his father
opposed until Walt Disney personally got the project going. Walt’s
son-in-law Ronald Miller is one of the Disney clan who can’t stand Roy E.
The two never liked each other, and in the power struggle between them
after Walt’s death, Roy E. won and ended up with Disney. Although people
called Roy E. “Walt’s idiot nephew”, he eventually(with the help of his
father & outsiders) won the various power struggles at Disney after
Walt died, and is now a powerful figure. Roy E. Disney and Stanley P.
Gold work together in various ways, and are both on the present Disney
Bd. of Dir. They are friends and worked to prevent hostile takeovers
of Disney in 1984. Gold is in charge of Shamrock Holdings, Inc.

The battle between the two Disney factions
In 1953, the two brothers and their respective sides of the family split when Walt
created RETHAW corporation. The two sides have fought ever since. When
Walt Disney created RETLAW (his name Walter spelled backwards), this
alienated his brother Roy O. & Roy’s side of the family.Without
going into all the details, what RETLAW did was cut Roy O.’s side out of
the money that was to be made. But Roy’s side didn’t stand by and idly
let their share of the pie be lost, they fought back and held their own.
Their big break came when Michael Milken and his band of junk bond
artists carried out a"greenmail” on the Disney Corp. Only a few insiders
know how greenmail works. It is a legal form of blackmail. Milken would
work with his friends Saul Steinberg, Sir James Goldsmith, and Carl
Icahn. Milken would provide them the financial clout, to make them look
financially capable of financially purchasing a corporation that they had
selected as a target. According to insiders, Milken got 40% of the
upside of any "greenmail” that went right.The targeted corporation would
learn that someone like Saul Steinberg was going to buy them out. In
order to prevent the buyout, and to keep their jobs, the officers of the
targeted corporation would get frantic, and either do
suicidal refinancings, or buy the stock of the potential acquirer for
much greater prices than the Milken group paid for them. The "greenmail”
artists wouldthen take their loot and go on their way. The stockholders
of the targeted company are the real losers of "greenmail”, because the
management of the corporation in order to finance their protection spends
the stockholder’s money, takes on new debts, and deprives the
stockholders of some profit-making potential of their shares. Michael
Milken’s group made feints to take over alarge number of corporations,
including Walt Disney, Phillips Petroleum and Avco. Saul Steinberg made
what looked like the beginnings of a sincere hostile takeover of Walt
Disney through Reliance. At one point Reliance became Disney’s largest
stockholder. Steinberg filed an amended 13D saying he intended to acquire
25% of the corporation. The CEO of Walt Disney, was Walt Disney’s
son-in-law Ron Miller. Saul Steinberg is a dear business partner
with London’s  Jacob de Rothschild. Originally, Ron Miller (Stanford
Univ.grad.) and Ray Watson (a Bohemian Grove mmbr from Stanford Unive.)
of Walt Disney’s management brought in the Bass brothers to help them
deal with Saul Steinberg’s takeover and to buy and develop land (esp. in
Florida). Ray Watson was Ron Miller’s key right hand man to run things.
The Bass brothers are mafia.Disney acquired the Bass Brother’s Arvida,
and brought the Bass brothers into Disney’s management. The Basses sold
their stake in Texaco back to the oil co.& then used this money to
bolster Disney. Sid Bass & Chuck Cobb (chief exec. Arvida) worked out
a deal with Disney. Arvida (sold to Disney for $200mil.) would profit
from developing Disney land in FL & Disney would profit from the new
financial strength that getting Arvida would provide. Arvida owned oil
fields, theme parks, and had helped create planned communities.


For Ron Miller, on the one side was the Illuminati and the other side of
things was the mafia. He didn’t trust either, but Steinberg’s takeover
could eliminate Disney’s management and both he (and Roy E. Disney)
wanted to save Disney from a takeover by Steinberg. At first, Roy E.
wrote a letter to Ron Miller &the other board members stating his
concerns about the acquisition of Arvida For Disney management, at least
the Bass brothers would let Walt Disney continue to make their family
movies. After the Bass brothers joined the Disney management (and became
one of Disney’s major stockholders), they soon joined sides with Roy E.
in a management fallout over whether Disney should buy Gibson Greeting
Card Company. With enough votes on the board, they sent Ron
Miller packing. With Ron Miller, and those management men aligned with
Walt’s side of the family gone, then CEO Michael Eisner, Frank Wells,
Rich Frank, and Jeffrey Katzenberg and some others made the modern Walt
Disney Corporation. Disney’s Touchtone studio which was mentioned above
in connection to the movie Alive was created in 1984 by Walt Disney’s
son-in-law Ronald L. Miller. Ron Miller’s management style was
lackluster. The new management has really gone gangbusters. Although
Walt’s side of the family is out of the management end of Disney, they
still receive financial rewards from various Disney enterprises.The Bass
brothers acquired more land for Disney in Florida. But under
their tutelage, Disney now has a management team that is skilled in land
grabbing techniques. The Bass fortune began with Perry Bass, who created a
company called Bass Enterprises. In 1969, Perry retired and turned
things over to his eldest son, Sid Richardson Bass. Sid has three younger
brothers Ed, Robert and Lee. The Basses owned 27% in Prime Computer, as
well as sizable real estate and oil holdings. The Bass brothers founded a
local prep school in Ft. Worth, TX.Their HQs in Ft. Worth is full of
modern art. The Bass brothers were very clever in their deal with Disney.
In exchange for their $14 investment in Arvida, they had gotten (over a
period of time) $950 million dollars worth of Disney stock. In 1985, they
liquidated Bass Brothers Enterprises and divided the assets between the
four brothers. Sid Bass was able to shift his interests from finances to
culture and high society. One of the Bass brothers is involved with
wineries in Napa Valley. The Bass Brother’s financial strategist
was Alfred Checchi, now of Beverly Hills, who has been a supporter of
Mishpucka member Sen. Dianne Feinstein (D-Calif.). Roy is involved in
criminal activities, and several people investigating him have been
bluntly warned that if they continue, they will see their children
murdered. Napa Valley’s Illuminati activity also connects in with CIA
activities as well. The Napa Valley Illuminati families all have CIA
connections. For instance, British millionaire Kenneth Armitage, who had
to flee from England to avoid arrest on numerous charges of theft,
deception and false accounting, had some of his good friends in the Napa
Valley, such as Dr. John Duff, Johnny Beck, & others. Armitage has
since mysteriously died in prison in England. Armitage had
intelligence connections which tie in with twilight world of the criminal
activities of the numerous intelligence acronym monsters. Also his
company was authorized to provide people with Central American government
documents. There is more-- much more to sordid affairs which swirl
around Roy Disney. Napa Valley, where many members of the Disney family
live, has the Illuminati’s Opus One temple owned by Rothschilds, as well
as two roads lined with meticulously kept wineries owned by Illuminati
kingpins and connected via secret underground tunnels. To top off this
incredible collection of Illuminati wineries (Rothschild’s, Mondavi’s,
Rutherford’s, Christian Brother’s, Sattui’s etc), on the north end of a
series of wineries on highway 29 lays the CIA’s medieval-looking
Culinary Institute of America Greystone (at 2555 Main St., St. Helena, CA
94574), where numerous people have suffered torture. The Greystone
Culinary Institute of America recently had the person who runs their
campus store mentioned in House& Garden, Sept. ‘96.


F. WHAT DO WE KNOW ABOUT THE DISNEY FAMILY IN GENERAL?
Several members of the Disney family came to England with William the Conqueror.
They were not known as Disney then, but because they came from
the French Norman town of Isigny, they took the name d ‘Isigny, and
anglicized it into Disney. Walt had two daughters, Diane Marie (bn.
12/18/33) and Sharon Mae.Diane made some revealing comments when she
said, he didn’t spoil us. Like a lot of adolescent girls, I was crazy
about horses, and I got quite good at riding. I yearned for my own horse,
but Dad wouldn’t buy one. And we didn’t have a lot of clothes and other
things.” For being one of the richest men in the nation, Walt can’t be
accused of having spoiled his children. He was also famous for his ten
cent tips at restaurants, which became the talk of the town.Sharon Mae
was adopted and arrived at the Disney home 12/31/36. (She died in’93.)
The adoption was kept very secret. The newspapers around the
country announced that Lillian had given birth to Sharon, and the Disney
family kept up this lie for years. The reason given for Sharon’s adoption
was that Diane needed a playmate. For years, Walt Disney didn’t care
much for Sharon and seldom acted like he even knew her name. Walt had
wanted a son, but his wife wanted to adopt a girl, so it was a beautiful
girl that Lillian picked out to be a companion for her first daughter.
When Sharon was kindergarten age, Walt would take her to the carousels in
Griffith Park on Sunday afternoons. Sharon was sent to private schools.
She went to Westlake School for Girls, and later was shipped off to
Switzerland to a girls’ boarding school. She had soft blond locks and was
attractive. In June of 1948, Walt took Sharon, who was then
an attractive 12 yr. old to Alaska with him for about 2 months. For most
of this trip Walt and Sharon were alone together. For a father, who had
ignored Sharon for years, now Walt was totally obsessed with Sharon. He
bathed Sharon every night, combed her hair, washed her underwear, and
carefully dressed her each night from head to toe before taking her to
nice restaurants. He even followed her when she sleep walked. Why was
Sharon a dissociative person? That summer in Alaska, Walt and his
personal pilot took a trip in August to Mt. McKinley, AK.Both were
drinking scotch whiskey and they barely missed hitting a mountain,and
almost ran out of fuel before finding a runway.


Sharon first married  a Presbyterian Robert Borgfeldt Brown. Later, Sharon
went on to marry William Lund. Years later, Walt’s wife Lilly even prevented
a biographer from revealing that Sharon was adopted. Sharon died relatively
young. It is important to look at the Disney family rather than just Walt Disney
in trying to understand the Disney phenomena. For instance in 1958, the Wall
Street Journal mentioned that Lillian B. Disney was beneficial owner of over 10%
of common Disney stock. Lillian, Walt’s widow, quietly purchased property in Napa
Valley and moved there in the late 60’s. She bought the property through Walt’s
Retlaw Enterprises and the Lillian Disney Trust. Lillian and her 2
daughters ran Retlaw for years. Diane Miller, her daughter, also bought
land and moved to the Napa area. The Lillian Disney Trust bought the
Silverado Vineyards, which Diane& her husband manage as, "gentlemen
growers” as they call it. This side of the Disney family is shunned by
the Illuminati insiders in the Napa Valley, as well as by the Roy O. side
of the family. Although very private, there are occasional moments of
publicity from Diane Disney Miller, when she donated wine for a fund
raiser for the Planned Parenthood Shasta Diablo held at the
estate Niebaum-Coppola, owned by director/producer Francis Ford Coppola.
Francis F.Coppola comes from an old mafia family. He owns a big winery
& directed Disney’s Caption EO film. Locals in the Napa area do not
trust any of the Disneys, especially the Roy O. side of the family. There
are other Disney’s who tie in with the occult world. Wesley Ernest
Disney, a 32° Mason & Shriner,who was a U.S. Congressman, a state
official & lawyer in Kansas who had a brother Richard Lester Disney--
who is a Rhodes Scholar and a Mason too. Wesley Ernest Disney, by the
way began as a lawyer in Muskogee County (a Satanic controlled county),
and was a Christian Scientist. He lived in Tulsa, a powerful city of the
Illuminati hierarchy. Doris Miles Disney has been a writer of occult
fiction, such as The Magic Grandfather the Chandler Policy (1972) and T
rick or Treat (1972) as well as many other occult novels.

G. A HISTORY OF DISNEY
“The story of Disney’s silent film career is not so much a struggle for artistic
expression as it is a fight for commercial stability.” During the1920’s, Walt stayed
safely within the confines of comic animation as defined by others, such
as the producers of Felix the Cat, Koko the Clown, and Krazy Kat.In
other words, when many of the ideas were coming from just himself,
Disney’s movies were not any better than others. In the 1930’s, Disney
got some of the best talent available and he began to settle for only the
best results from that talent. With the mob, and the Illuminati behind
him, and driven by an indebtedness to them, Disney began to achieve
outstanding results in animation.Between 1924 and 1927, Walt Disney made
a series of 56 silent Alice Comedies which used three different
girls (6-year-old Virginia Davis, Margie Gay and Lois Hardwick) to act as
Alice who romps around in a make belief cartoon world. These cartoons
combined live action and animation. By the time the series was done, Walt
Disney wanted to try working solely with animation. Margaret Winkler in
NY (who married Charles Mintz) distributed Walt Disney’s Alice Comedies.
From the beginning, children were the center of everything Walt did. The
occult world that backed Walt, as well as Walt himself, believed that if
they could bring out “the child” (that part of a person called “the
child”by various psychologists), then they could appeal to the curiosity
and feelings of the “child” part of adults. If it worked with adults,
they could do the same with the child part in children.


They knew even in the 20’s & ’30’s what had to be accomplished in the secret
Great Plan for a New World Order. The Illuminati Great Plan called for family
life to be destroyed, for children to rebel against their parents, and
for the world to become more violent. Children needed to immerse in
images of violence so that a violent society could be created. For
instance, the 1925 film Alice Stage Struck shows little girl Alice
strapped to a log leading to a buzz saw. They also wanted to
make occultism--witchcraft the common belief of the American people. The
Illuminati felt they could bring in witchcraft if they appealed to the
curiosity of the child in every adult. For instance, the Donald Duck
cartoon Corn Chips (1951) shows Donald harassing Chip and Dale who then
get back at him by stealing a box of popcorn and spreading it all over
the front yard. Now what does a cartoon like this teach kids? It teaches
that stealing to repay a grudge is O.K. and that doing pranks is funny.
In Disney’s 1920 films, he shows kids cutting school, shoplifting and
playing hookey. He shows Alice running away from responsibility to have
adventure. He shows prisoners escaping and hobos escaping work. His films
are expression of misbehavior being successful. What does this teach
children? In the 1951 cartoon, Get Rich Quick Goofy wins money at
poker and his initially angry wife who doesn’t like gambling forgives him
when she sees how much he’s won. Goofy indicates that they can have
a spending spree by telling his wife, “Easy come, easy go!” The gambling
spirit is a very powerful spirit that the Illuminati want to instill in
this nation.How can a cartoon that promotes gambling be wholesome for
children? Lt. Col.Dave Grossman is a military expert on how to condition
people so that they will kill. He writes in his superb book On Killing (Boston,
MS: Little Brown& Co., 1996) that the same process that the
government has used to condition soldiers to kill, is being used by the
entertainment industry. The only major difference is that in the
military, men are taught to kill only on command, while our children are
being taught to kill whenever they want to via TV’s “entertainment.”
Grossman states on page 308, that the conditioning to kill begins with
cartoons. “It begins innocently with cartoons and then goes onto the
countless acts of violence depicted on TV as the child grows up...
.Then the parents, through neglect or conscious decision, begin to permit
the child to watch movies rated R due to vivid depictions of knives
penetrating and protruding from bodies, long shots of blood spurting from
severed limbs, and bullets ripping into bodies and exploding out the
back in showers of blood and brains.” While children see horrible deaths
on T.V., they learn to associate this suffering with entertainment,
pleasure and their favorite soft drink,their favorite candy bar, and
close intimate contact with their date. (See On Killing, p. 302)
Disney has the appearance of  Wholesomeness; this appearance is quite
deceptive. A close study of Disney cartoons will reveal lots of violence
that could not be depicted if the violence was actually real life &
not animation. It’s the wholesome front which is one of the deceptions
that makes Disney cartoons & films so dangerous. Yes, the image of
Disney has been that its cartoons are wholesome. No wonder
Illuminati mind-control programmers have laughed at how naive the
American public is toward Disney. The Disney Gargoyles cartoons are a
television series that is pure demonology. The story line is that a race
of demons protects New York City. One of the Gargoyles is even named
Demona. The Illuminati programmers are amazed at how stupid the masses
of people are, and how easily deceived.


How the Disney movies are used as programming scripts is very involved so
only one detailed example is given at the end of this chapter. The Illuminati
and Mafia knew that Walt had the ability to get the job done that the Great
Plans called for. (Source: confidential interview.) They knew they had the “carrots
and the sticks” to get him to cooperate. There is no doubt that Walt was a
hard worker who in turn expected high standards from his employees. One
co-worker of Walt wrote, “Walt made a simple statement, that you can lick
them with ‘product’ if you make your product good enough, they cannot
deny it.. . .In Walt’s estimation, everything that was done had to be
executed with a great deal of thought and finesse.” Neelands, Barbara,
compiler. About Ben Sharpsteen, article by David R. Smith (2nd
Impress.) Calistoga, CA: A Sharpsteen Museum Reprint,pg. 2-3. One big
turn in Walt’s outlook toward quality came in April, 1927 when the head
of Universal Studios wrote a scathing report on the quality of
Disney studio work. It forced Walt to realize that up to then he had been
slipshod and sloppy. He resolved to never take the easy way, but to work
with dedication toward making his drawings come to life with character
and interesting situations. In 1922, Walt made a film Cinderella. This is
not to be confused with the later animated film also of the same title
released in 1950. The1950 feature was re-released numerous times.

The Alice cartoons were made with a 6- year-old girl playing Alice. The
first six Alice comedies had extensive live-action beginnings, and then
went into cartoon. A few of the 1920’s Alice silent cartoon titles
include:   Alice’s Wonderland (1923)  Alice Hunting in Africa (1924) 
Alice’s Spooky Adventure (1924)  Alice Plays Cupid (1925)  Alice Cans
the Cannibals (1925)  Alice Rattled by Rats (1925)  Alice Chops the Suey
(1925)  Alice Charms the Fish (1926)  Alice the Whaler (1927)  Alice
the Beach Nut (1927) After the Alice Series, Disney began a fully
animated series called Oswald the Lucky Rabbit. Here we see the occult
concept of luck (who hasn’t heard of a lucky Rabbit’s foot?) being subtly
promoted. Disney cartoon may entertain, but they also indoctrinate while
they entertain. In 1926,

Walt Disney signed an agreement with Mintz and Film Booking Offices
(EBO). Film Booking Offices were Illuminati kingpin/mob boss Joseph
Kennedy’s company. For at least the next years, Disney worked under the
control (auspices) of Illuminati kingpin Kennedy. All of the Disney
pictures were registered by R-C Pictures Corp., one of the parent
companies of Kennedy’s FBO. Joseph Kennedy also controlled the RKO
studio which worked together with the other big studios to insure that no
small studio would develop as a competitor. By 1937, all the big studios--20th
Cent., Paramount, MGM, Warner Bros., Cohn’s Columbia Pictures and
Kennedy’s RKO were allowing the mob to skim money from them. Kennedy’s
RKO gave Walt a guarantee in 1937 that they’d distribute Snow White
sight unseen.Walt Disney had their films distributed by Kennedy’s RKO from
1936 to 1956.Another little known detail is that in 1926, Leon
Schlesinger (future producer at Warner Bros.) subcontracted animation
jobs to Disney. One of these was Universal’s The Silent Flyer. In
1928, Steamboat Willie debuted. This was an animated cartoon with a
soundtrack starring a mouse later named Mickey Mouse. It had taken lots
of hard work and determination on Walt’s part, but it was the first
cartoon with a sound track and it was successful.


In 1929, the cartoon The Haunted House came out. The story is, Mickey Mouse
is forced by a storm into a house full of ghosts who force him to contribute to
their spooky musicale. In 1930, Harry Cohn, one of the most ruthless and
unsavory characters controlling a studio bailed Walt Disney out of Walt’s
trouble with con-artist Pat Powers who was stealing Disney’s money.
Harry Cohn was a former NY pool hustler and gambler who was brought in by
Chicago investors to front their investments in Columbia Pictures, and
run their studio. He wore a sapphire ring that the Chicago mafia man
Johnny Roselli gave him. Roselli later became a rogue asset of the CIA,
and testified before Congress (the Church Committee on Assassinations in
‘74) about a CIA contract which was handed him. Roselli worked for the
Mafia Council of 9, which incl. Anthony Accardo and Sam Giancana. Harry
Cohn was said by some to be the most hated man in Hollywood.His money
gave him “the power of an emperor”. His money got him the best
female flesh available which he used for his pleasure. He always seemed
to arrive from Las Vegas with rolls of new greenbacks, which had close
associates wondering where all the money came from that he always got
when he made trips to Las Vegas. In 1931, Walt went into a long suicidal
depression that lasted into 1932. In the summer of 1932, he took a
vacation to try and recover from his nervous breakdown. By 1932,
Ingersoll had marketed its first edition of Mickey Mouse watches. Disney
products have served as a model of consumerism for the world. Disney
watches have been made continuously since 1932 or ‘33. In 1932, eighty
major U.S. corporations (such as General Foods, RCA & National Dairy)
began to market Disney products. Ed Sullivan began regularly
running stories that bragged about Disney’s work. Freemason Dr. Rufus B.
von Kleinsmid, pres. of the Univ. of So. Cal., gave Disney an award from
Parents magazine for Walt’s “work with children”. In 1932, several artists
who had worked for William Randolph Hearst came to work for Disney. In
1932, Roy switched Disney from Columbia to United Artists. United Artists
agreed to front Disney $15,000for each cartoon. In the 1930’s, the Illuminati’
Bank of America financed Walt Disney. Years before, the Bank of America
had been quietly created from Bank of Italy which was controlled by the
same oligarchy that has run the Knights ofMalta and renaissance Venice.
The Bank of Italy was a powerful bank in Hollywood’s first years. It’s
representatives A.P. and Atillo Giannini financed Walt during the 1920’s
with petty cash to keep him going, but not enough to get him out of
financial bondage. Joe Rosenberg of Bank of America was sympatheticto
Walt. Joe Rosenberg, a jewish banker, came to all of Disney’s
board meetings, sat beside Walt, and would advise Walt on what direction
Disney Studios should take. Joe wasn’t a board member, but his advice got
high priority. Bank of America also bankrolled other Illuminati projects
and organizations. Bank of America had one of their branch offices on
Disneyland’s Main St. from ’55 until ‘93. They were open on
holidays and Sundays for Disneyland. Bank of America is slated to be
perhaps the only bank to survive the economic crash, when the Illuminati
kingpins will allow their own banks to crash. Bank of America executive
S. Clark Beise (who is a Scottish Rite Freemason) has been a member of
Disney’s board of directors from ‘65 to ’75.


One of the biggest depositors in Bank of America is Roy E. Disney. Other Disney
execs like Rich Frank have also used Bank of America as their bank of choice. The
Bank of America bankrolled the Disney animation Snow White. Walt managed
to sell Joseph Rosenberg on the idea, at a time when old time
Hollywood people were advising Rosenberg that Snow White could only be a
failure. When Snow White was successful, Walt announced a monster party
for all Disney workers at Lake Norconian, near Palm Springs, southeast of
San Bernandino, CA where the cost of everything the Disney workers
wanted to order--food or drink or whatever, would be taken care of by the
Disney’s. Under the full moon, the Disney male and female workers,
finally free of the tight rules at the studios,had what amounted to a
Roman orgy and a large nude skinny-dip at the lake.Almost all of the
Disney workers participated in the orgy and Disney had only two options,
1. fire them all or 2. ignore that the party took place. Walt choose the
later option, and after that no-one ever dared mention the party in his
presence. In 1937, Walt and Roy took a trip to Europe where Walt dined
with the British Royal family, & met privately with H.G. Wells, the
masonic prophet! planner of what Wells & other masons called “the New
World Order”. In Paris, the League of Nations (the forerunner to the
U.N.) gave him an award.After the success of Snow White, Disney chose
Pinocchio to follow it. Many have asked why Pinocchio was chosen by Walt.
If you look at the script, the puppet maker’s wife is taken out of the
original script, and there is an emphasis on the little wooden puppet
visualizing becoming a flesh & blood son to the man who had created
him. Here we have a boy with no soul, who is told if he works hard he
will be given one. (Does this sound familiar to readers of VoL 2?) The
script was definitely changed to have a storyline far more useful to
mind-control programming. For those who think Walt simply recreated fairy
tales on the screen, if one examines the changes that are made from the
original storylines, they are changed to make them more useful
for mind-control. Both Snow White and Pinocchio have occult type “deaths
and resurrections”. After W.W. II, Joseph Rosenberg persuaded A.P.
Giannini, his boss, to bankroll Disney again. Although Walt was financed
by the Mishpucka (Jewish Mafia), he didn’t like the idea. Richard
Rosenberg, a later Pres. of Bank of America, is also Mishpucka. Richard
Rosenberg (his mother was a Cohen)was also in charge of Northrop Corp.
and Marin Ecumenical Housing Assn. (Other examples of Mishpucka
executives are R. Goldstein, v.p. of Procter & Gamble,and Marvin
Koslow, v.p. of Bristol Meyers Co.) In the 1930’s, the elite promoted
Disney’s new cartoons. In 1935, Walt Disney received the French Legion
of Honor for his Mickey Mouse cartoons. Also in 1935, the
Queen of England (who readers of my previous articles will realize is
Illuminati, involved in drug trade, and is involved with the leadership
of Freemasonry) and the Duchess of York (also Illuminati) selected Mickey
Mouse chinaware as gifts for 600 children. This was after Walt spent
time with her in 1934. The League of Nations (the pre-W.W. II equivalent
of the U.N.) took the time to vote its approval of Mickey Mouse. (Finch,
Christopher. The Art of Walt Disney from Mickey Mouse to the Magic Kingdom.
NY: Harry N. Abrams, Inc., 1975, p.53.). There
is no doubt that Walt Disney had talent. There is also no doubt from the
record that powerful people wanted to promote him. No doubt his320
Masonic membership and his De Molay activities helped boost his support,
and also helped Walt’s bent toward the occult.

Let’s digress just to let people in on Freemasonry’s involvement with acting and
motion pictures. The famous 233Club was a masonic chapter for actors who were
Freemasons. Examples of actors who were Freemasons include John Aasen, Gene
Autry, Monte Blue and Humphrey Bogart, Douglas McClean, John Wayne. Then there
is T.V. DJ Dick Clark. Example sof Motion picture executives who were
Freemasons incl. Ellis G. Arnall (Pres.of the Soc. of Ind. Motion
Picture Producers), Will H. Hays (Czar of motion pictures 1922-45, and
Pres. Motion Picture Produces & Distributors of Amer. Inc.), Benj. B.
Kahane (v.p. & dir. Assoc. of Motion Picture Producers, Inc.),Carl
Laemmle (Pres. Univ. Pictures Corp til ’36), Frank E. Mullen ( man.
dept of info. RCA, VP NBC ‘39-’46, exec. VP NBC ‘46-’48), David Sarnoff
(Chrm. ofBd. Radio Corp. of Amer. & ,,father” of American
television), Jack M.Warner (v.p. of Warner Bros.) and the President
& dir. of Universal Pictures since 1952. The Freemasons have made
much of Walt Disney’s membership in their membership sales pitches.
Because the 2 Disney brothers’ chief contributions to the production of
Disney films were the finances and occassionally the ideas used in a
film, it is rather misrepresentative of things that Walt Disney got all
the credit for the success and quality of the Disney cartoons. He was
showered with 700 awards and honors from important people, including 30
oscars, and the Presidential Medal of Freedom (in ’64). Walt Disney’s
great animators never got the credit they deserved, but no one should
forget that Walt was the driving force that inspired and guided
his workers. In 1934, Walt Disney made a cartoon about a goddess of the
Mystery Religions named Persephone. In the cartoon entitled The Goddess of
Spring, the goddess Persephone is captured by Satan as his bride and sent to
the underworld, with the agreement she could return to earth six months of
each year. The Illuminati have rituals around Persephone. On Dec. 21, 1937,
Disney premiered the first full-length color cartoon movie “Snow White
and the Seven Dwarfs.” This cartoon had taken $1.4 in depression-time
money and three years to make. Over 750 artists worked on the film. Walt
Disney had gotten the idea from a silent movie of Snow White which he saw
as a boy in 1917. The movie has an important occult theme to it, and has
been used for occult mind-control programming. When the 1940’s got
started, Disney was in financial difficulties. At this point, Nelson
Rockefeller hired his cartoon capabilities to make cartoons for South
America, with the idea that South Americans would remain loyal to
the American capitalist hegemony, rather than shift to rising ideologies
of fascism/nazism, if they saw Walt Disney cartoons. In Rio de Janeiro,
Brazil on 8/24/42, Disney did its world premiere of Saludo Amigos, a 42
minute feature about Latin America. Goofy becomes a gaucho, a parrot
teaches Donald Duck to dance the samba, as well as Disney art showing
various landscapes of Brazil in the film. However, the film The Three
Caballeros, if it was meant to encourage South American loyalty to
American capitalism, completely failed. The Three Caballeros showed
a sexually lecherous Donald Duck who in bad taste tries to make it with
Latin women. The mysticism was also seen as bogus. Although the Latin
Americans hated the film, the establishment media’s Look magazine praised
it. Another reason that Rockefeller sent Walt to South America was
to get him out of the way so that the government could settle the strike
by Disney workers.


Nelson Rockefeller was the government’s Coordinator of
Inter-American Affairs, a good position considering how much of South
America the Rockefeller’s controlled. Rockefeller told Disney that Disney
couldn’t beat the strikers, but that while Walt was in South America,
FDR would see to it that the strike got settled. When Disney returned he
submitted to the powers that were, and accepted the unions and the
mafia’s control. Another change for Walt Disney was that in 1940, he and
Roy turned Disney into a “public corporation”and initially sold 755,000 shares
of common stock. The Illuminati Boston firm of Kidder, Peabody & Co.
were the underwriters of the studio’s public stock-offerings. By 1940,
the Disney Studio at Burbank had become a miniature city with 1,000 men
& women employees and 20 buildings on a 51 acre tract of land. After
the U.S. joined W.W. II, Disney Productions were made a part of the
American military establishment. The very next day after Pearl Harbor,
the military moved onto the Disney Studio, which leads this author to
suspect that Disney was already part of the power establishment prior to
the war breaking out. Disney made military movies/cartoons that taught
the different branches of the military many things. They made propaganda
movies for the allies. One series of films was “Why we fight.” Disney
made movies for the IRS to get people to pay their taxes. Some of the
Disney films were top, secret, and concerned secret military weapons or
secret psychological tactics of the Americans. For instance, one military
film was “Army Psycho Therapy” which taught army men how to instill
fear, and about the basics of fear. Another army film was “Prostitution
& the War”. Another showed a carrier pigeon evading the Germans. In 1940,
Disney came out with 2 full length animated cartoons, Pinocchio and Fantasia,
both of which were soon used for Illuminati mind-control programming.
Fantasia contains Schubert’s sacred Catholic music Ave Maria, which was
used in a concluding segment side to side with the profane Night on Bald
Mountain song, as well as six other classical pieces of orchestra music.
As a feature cartoon it was a flop, but as a programming tool it
was fantastic. Fantasia receives a comprehensive explanation of how it is
used for mind-control programming at the end of this chapter. Because an
explanation of the use of a Disney film for mind-control is complex,
this explanation is placed at the end of the chapter so that it won’t
interrupt the flow of this chapter’s information. The Pinocchio film has
been redone and released 9 times over the years. Some of the next full
length animated films to come out were:The Three Caballeros (1945) The
Adventures of Ichabod & Mr. Toad (‘49)Cinderella (1950) Treasure
Island (1950) Alice In Wonderland (1951) The Story of Robin Hood &
His Merrie Men (1952) Peter Pan (1953) 20,000 Leagues Under the Sea
(1954) Sleeping Beauty (1959) Very soon after the production of all
of these movies, the Illuminati and their intelligence agencies used them
for Illuminati total mind-control programming. To see their misuse as
programming scripts one has to understand how the fantasy worlds of a
programmed multiple are created and how the movie scripts are adapted to
be programming scripts. Vol.2 gave quite a few examples of how
Alice In Wonderland and the Wizard of Oz scripts were used for
programming scripts. When Disney had his animal-nature documentaries, he
edited and used narration to give the animals human
like characteristics--something he’d already been doing with animation.
Disney played an important part in the Illuminati’s plan to elevate
animals and dehumanize humans. One of the biggest Illuminati kingpins,
and leader (Grand Master) of the Prieure de Sion was Frenchman Claude
Debussy (bn.1862). Claude Debussy, a Merovingian, was Nautonnier
(Navigator-helmsman) of the Prieure de Sion from1885-1918. (See the
document Dossiers secrets, planche no. 4, Ordre de Sion, written about in
Holy Blood, Holy Grail.) In 1891, when some secret coded parchments
(Merovingian documents) were found by a French clergyman Sauniere,
he was directed by church officials to visit with Emile Hoffet, an occult
acquaintance of Debussy.


Debussy was close friends with many of the top french occultists of his time.
He is known to have been a close friend to both the notorious satanists
Jules Bois and MacGregor Mathers. Mathers started the Order of the Golden
Dawn. Debussy was also a friend of the infamous Papus (aka Dr. Gerard
Encausse) and W.B. Yeats. Papus was one of the men who during his
lifetime was part of the interlocking occult directorate of occult
groups. Claude Debussy put some works of the previous P.d.S. Grand Master
Victor Hugo to music. Debussy and his other powerful occult friends
were influential with Monsieur Philippe, whose Russian occult circle
influenced the Russian Czars and Czarinas before Rasputin came around.
Debussy traveled to Russia and Rome. Some of Debussy’s works became
operas. Interestingly, Walt Disney was extremely anxious to make a
cartoon using Debussy’s Clair de Lane.The work was done, but it was
never shown to the public. Disney never found a place to use it. It was
originally done with animation with flying cranes for the occult
extravaganza Fantasia, but when the Fantasia ended up too long,
Clair de Lane was cut and shelved. It was again planned for the film
Make Mine Music, but then Blue Bayou was substituted in. Walt used the
Le Sacredu Printemps (the Rite of Spring) music for Fantasia. This
piece of music was written AS a pagan ritual where a virgin sacrifices
herself by dancing to death. Disney’s mobster Gunther Lessing had
threatened Stravinsky if permission weren’t given for Disney to use the
piece of music, it would be used anyway. Dr. Julian Huxley got involved
in the production of Fantasia. Aldous and Julian Huxley are well
known by conspiracy researchers for their roles in the World Order. In
the 1940’s and 1950’s, the Illuminati began using Disney’s Alice In
Wonderland and the Wizard of Oz films as programming bases for their
total mind-controlled slaves. Alice in
Wonderland had been done many years earlier by the Britisher William
Cameron Menzies (who also did Freemason H.G. Wells’ masonic forecast of
the New World Order entitled “Things to Come”in 1936, and the film
Invaders From Mars.). In 1944, Illuminati Kingpin William Randolph Hearst
(with some minor help from others) funded the Motion Picture Alliance,
and Walt Disney became a co-founder and its first Vice-President. In the
early 1950’s, Walt turned his attention from animated cartoons to
other projects, such as True-Life-Adventures, television shows, and the
creation of Disneyland. Seal Island was his first true life adventure
which was released to the general public on May 4, 1949, and soon won
Walt Disney an Oscar. Alfred and Elma Milotte had shot the film on some
Alaskan Islands named Pribilof Islands. James Algar had put the movie
together. In 1952, Walter spelled his named backwards to create
the name of another corporation, "Retlaw”.


Roy and his family saw the move as an attempt to cut them out of the
financial picture. In 1954, Walt Disney and ABC made a agreement.
ABC would directly invest half a million US dollars as well as guarantee
$4.5 million in loans for the construction of Disneyland. This made ABC
1/3 owner of Disneyland. In return, Walt Disney agreed to produce a
regular television series for ABC.Remember too that ABC’s president
Leonard Goldenstein was a good friend of Ronald Reagan. On July 13,
1955, Walt and Lillian were attempting to celebrate their 30th wedding
anniversary at a park and restaurant. Walt got too drunk to speak into
the microphone, so he blew noisemakers into it, while Lillian rushed to
pull him out of view. In 1961, Disney bought out the ABC investment
(also labelled Paramount) for $7.5 million with cash and notes, and to
bring this all up to date, later on July 31, 1995, Disney merged with
Capital Cities/ABC, with Disney in nominal control. Actually Capital
Cities has long been a CIA front company, so the merger placed Disney
squarely within the CIA ranks, although it had been in bed with them
for the CIA’s entire history. The Illuminati-controlled corporations of
Coca-Cola and the drug firm Johnson and Johnson became sponsors
for Disney’s early TV shows. On 7/3/57, the Wall St. Journal announced
that Atlas Corp. got 26% interest in Walt Disney Productions. Walt
Disney worked quietly with some consultants on the concepts behind
Disneyland. His brother and nephew tried to prevent the project
from happening. Later they requested that Walt sign over Disneyland, Inc.
to Walt Disney Productions, which Walt did. Walt kept 17.25 % of
Disneyland holdings and Walt Disney Productions got the rest. Walt Disney
Productions then shared their portion with others. The man who helped
Walt finance Disneyland was the executive vice-pres. of ABC Kintner.

Walt Disney got the Illuminati’s Stanford Research Institute to determine
what would be the best site for Disneyland. A retired Navy admiral Joe
Fowler was in charge of constructing both Disneyland and Walt Disney
World. How do admirals fit into the power structure? Admirals are briefed
each day, and are given information concerning the secret
power structure. Most men who are at that military level are Illuminati
or at least well controlled by the system. Within the last few years
there has been an intense effort to weed out any admirals who are not
loyal to the Illuminati.Morgan-Evans, who lives in Malibu, and who may
be of the famous Morgan clan,was the one who created the spectacular
landscapes for Disneyland, Walt DisneyWorld, and EPCOT in FL. According
to CIA informants opposed to the NWO, CIA contractors were brought in to
build the underground tunnels under Disneyworld in 1977. These
contractors were sworn to secrecy, but were only informed on a need to
know basis why the CIA was involved with an amusement park. To work
on the secret tunnel project took an “Above Top Secret” clearance. A
major programming center was constructed under Lake Holden. (Many of the
lakes in Florida are named Lake So-and-so, rather than So-and-so Lake.)
The tunnel system was built for programming trauma-based total
mind-controlled slaves. It was built of concrete with steel
reinforcement. Lake Holden lies just to the northwest side of the Orlando
International Airport and just south of Interstate4. (It is close to
Range 29E on quad maps.) It is only (as the crow flies)about 12 miles
from Disneyworld. In spite of Draconian measures of secrecy, numerous
lawsuits (Fed. & State) were filed over the years by victims trying
to expose the Disneyworld programming tunnels, so that finally
the programming center was dismantled, cleaned up and a, "maintenance”
tunnel level and a, "casting” tunnel level were opened to the public.

During its heyday, the programmers (military & intelligence men) had
exotic offices underground with unusual programming equipment. It doesn’t
take any imagination to realize that if Disney carried mind-control
programming above and below ground, that they would need tight security
forces to protect their secrets. Indeed, such is the case. Disney
amusement parks have been granted draconian powers wherever they have
been built! The Disney parks have also employed armies of spies dressed
like tourists to spy on Disney’s employees! If amusement park workers did
anything slightly out of place, they were (and still are) reported by
the spies in the camp, and they often have lost their jobs. For instance,
one ex-worker, who had 10 years with Disney, was caught discussing his
divorce with another worker. Since divorce doesn’t fit the wholesome
image that Disney wants, when the spy dressed as a tourist reported his
conversation, he lost his job. Many workers have tried to tell their
personal horror stories of Disney’s draconian rules and their draconian
private police force, but most of the time Disney has had the power to
suppress and intimidate away any bad publicity. An exception to that is
the recent Nov. 4, ‘96 Napa Valley Register article on page 2D
entitled, “Critics of Disneyland Say Security Abusive Inside
MagicKingdom.” UCLA law professor David Sklansky commented about
Disney’s police,“One of the major problems we have is nobody really
knows what they are doing-how often they stop, interrogate or search
people. They are not subject to thesame sort of regulatory controls.”
It’s almost superfluous to tell readers that Disney’s amusement park with
it’s theme areas such as Fantasyland, Tomorrowlandand Adventureland
were a great success. Everyone worldwide was curious to visit this
entertainment mecca to participate in something that had a
clean,wholesome image to it. The entire world system pulled together to
insure that Disneyland got the image and publicity that the top 13
Illuminati families and the various syndicates wanted it to have. For 40
years they’ve done this. When something that everyone thinks is clean and
wholesome is not attacked by the world system, that should raise
eyebrows among thinking people. Home schooling, learning to read
phonetically and other wholesome activities for children have been
viciously attacked and ridiculed by the established media. Why has
Disney gone untouched? Disney Studios for years strove to have a very
clean image. Workers had dress codes, and any activity on the part of
employees that wasn’t morally conservative was grounds for instant
dismissal. Of course, the exceptions were well covered up, such as an
employee who used hypnosis to get quite a few of the females employees to
undress until nude. John L. Hulteng, author of The Messenger’s Motives (Englewood
Cliff, NJ: Prentice-Hall,1976, p. 213) informs us, “As communication
researchers have emphasized, the greatest impact the media have on the
formation or change of public opinion is in terms of impressions built up
over a long period.” [bold added] The wholesomeness of Disney is an
image that has been built over a long period of time. Disney’s occult
themes of world citizenship, witchcraft, humanism and idolatry have also
been long running impressions that have been craftily perpetrated upon
this nation, so long that they began prior to this author’s--&
probably the reader’s-- birth. People don’t associate movie’s like Consenting
Adults with Disney, or The Corpse Had a Familiar Face with
Disney.In fact as previously mentioned, when Disney wanted to put out
more “adult”films, they did a slight of hand and created the label
Touchstone films so that people wouldn’t associate movies like Splash
(which showed what looked like bared breasts) with Disney Productions.

Another label, Hollywood Pictures, was created by Disney to help
distribute Touchstone films. At first the personnel of these companies
was simply Disney’s staff, but as time went on, they got their own
production personnel. On Oct. 27, 1954, Walt Disney’s Wonderful World of
Color debuted on television. The TV show celebrated Disney’s movie
triumphs.The words Wonderful World of Color are not ill chosen.
According to an Illuminati mind-control programmer, when Disney worked on
his cartoons, and amusement parks, colors - special colors and color
combinations--were specifically chosen for mind-control programming
purposes. Wonderful World of Color under various names such as Disneyland
aired for 22 years over the television networks. In 1955, Walt Disney
made his cartoon character Mickey Mouse real by creating a fan club--the
Mickey Mouse Club, which aired five days a week usually just as children
came home from school. Twenty-four children called Mouseketeers would
help Mickey, and they would dance and sing and do skits. The Mickey Mouse
Club adored the unique, cute little beanie Mickey Mouse caps with their
big ears mounted to each side of the beanie. In the 1950’s,most kid
viewers of the show wanted their own “Mouse Ears” and to become
a Mouseketeer, especially children who were receiving Mickey Mouse
scripts in their total mind-control programming. Disney used his
Mouseketeers to play all the roles in an Oz movie Rainbow Road to Oz, which
was never shown to the public. Adults today (both men & women) who
received Mickey Mouse programming during the 50’s through 70’s can still
be seen with Mickey Mouse clocks, watches, lampshades, knick-knacks, tee
shirts, etc. Years later the kids who watched can still remember “Spin
and Marty” and the Mickey Mouse theme song. The image that everything was
perfect including Mickey was portrayed by the Club’s T.V. program. Still
somehow the American people began to use theword “Mickey Mouse” as a
synonym for a silly, pretend way of doing things. It became common for
people to say, “He mickey-moused it together.” to mean he did a poor job
putting it together. On Jan. 30, 1957, Walt Disney had a television show
aired entitled “All About Magic” where a Magic Mirror explains
about magic. The Magic Mirror also contains a
"Bibbidi-bibbidi-Boo"sequence. In 1959, Disney bought 8 small submarines
from Todd Shipyards for $2,150.000. When ABC wouldn’t let Walt make a
TV series out of a storyline where a magic ring changes a boy into a dog
(a mind-control programming theme)--because ABC didn’t think the public
could swallow the story line--Walt quit ABC for NBC.Walt then made a
scaled down version of this occult storyline entitled The Shaggy Dog.
Early in the 1960’s, Walt and his brother Roy went secretly looking for
an area on the east coast to build another Disney Park. Walt the younger
of the two, died in 1966, and Roy finished the project. Beginning in
1964, 30,000acres were secretly purchased at $200 an acre in the
Orlando, FL area just west of NASA’s Cape Kennedy. Using phoney names and
paying cash, Disney buyers bought the land and swore the sellers to
secrecy.

The Magic Kingdom has been multiplying. In 1971, Walt Disney
World was opened to the public. Bob Hope and others participated in a
Disney special on Oct. 29, 1971 “Grand opening of Walt Disney World”.
From the time of its opening until Oct. 12, 1995, Disney World
calculated 1/2 billion people visited Disneyworld. This amusement park is
in Orlando, FL on over 27,400 acres and includes the EPCOT Center (now
also called simply Epcot). The EPCOT center was another dream of Walt
Disney’s (albeit more than slightly modified from Walt’s original EPCOT
ideas.) EPCOT originally stood for Experimental Prototype Community of
Tomorrow. It was to be an extension of the massive mind-control being
carried out at Disney World. The original EPCOT city designed by Walt was
to carry on its commerce (traffic) via underground roads and tunnels
like the Disney Theme parks. After Walt Disney died, his successors
changed the proposed experimental city into another theme park simply
called Epcot. It is not unusual to see crowds of over 48,000 people
descend on Walt Disney World and the EPCOT center in a single day.
Some visitors arrive via a monorail. Visitors can buy 5-Day World
Hopper passes which allow them to bounce around with admission to all the
sites for a seven day period. In other words, some families stay for a week
at Disneyworld.Hardcore visitors can get Annual Passports which provide
unlimited use of Walt Disneyworld for an entire year. In reality, many
visitors to Disneyworld begin the day enthusiastic and after a day of
hot sun and waiting in long lines with large crowds for imitations of
reality, the tourists are zombie-like and looking forward to getting
back to their hotels. Many people have felt the rides were not nearly what
they expected. Some of the rides are better than others, and some
typically get comments like, “It was stupid.” Some of the spooky events
like Snow White’s Adventures, or the over sized heads of the Disney
characters walking around can leave the little preschool children terrified
and dazed for the rest of the day. In contrast, older children, who normally
rarely show patience at home may show how much
they want to go on a particular Disney ride, by waiting an hour and a
half in the hot sun for a ride. Alien Encounter is a Walt Disneyland
feature that invites tourists in fora “demonstration of interplanetary
teleportation.” When the “demonstration” as planned “breaks down” an
"alien” with asocial traits appears among the audience and terrorizes
the audience. A cute creature is hideously fried,deformed, and then
vomited into space screaming. Here are some comments from visitors to
this Walt Disneyland attraction:  “Alien Encounter ...is one of those rides
I can say I’ve seen and that I have no intention of ever doing again. In
fact, parents who take children under the age of six should be brought up
on child abuse.” Woman, from MI “Alien Encounter was the WORST
experience for my 10-year-old (and almost every child in there). It starts
out cute enough during the preshow, but the actual show is a disaster for
children. My daughter screamed and cried in terror throughout it. I thought
the Disney warnings were vague and inaccurate. When we left, there wasn’t
one child with dry eyes (even sturdy looking 12-year-old boys were crying.).
I think an age requirement of 13 or 14 is more appropriate. I talked to a
few adults and we even agreed that the special effects were extremely
unpleasant even for us. This show is not a Disney family experience--its
ATROCIOUS!!” A mother from Phillipsburg, NJ.

 “We did go to Alien Encounter...The preshow is deceiving. It kind of lulls you
into thinking “this isn’t so bad.” When the main part came up, I admit
the experience gave me the absolute heebie-jeebies. . .I am never doing
that presentation again--it was way too intense for me, and I’m now 27
years of age!--from a family in Laurel, MD Michael Eisner, the President
of Walt Disney Co., initially rejected Alien Encounter for not being
scary enough when it was being considered as an addition to Disneyworld.
One wonders what he would have liked! Snow White’s Adventures, which was
an attraction at Disneyland, was one of what the Disney people called
“dark rides”. After a while a sign appeared with a witch warning people
that the attraction was scary. Later in 1983, they renamed it
Snow White’s Scary Adventures. It might be interesting to point out that
when the original Snow White and Seven Dwarfs film came out, that England
forbid the film to be seen by any child under 16 unless accompanied by
an adult because of the scary content of the movie. How far we have come
since then. Schools in the Florida and California areas also make field
trips to the Magic Kingdom that are arranged with Disney. EPCOT receives
tens of thousands of children this way during March, September and
October. High schools use the Magic Kingdom for proms or senior nights, and
some couples use the facilities of the Magic Kingdom for weddings. Modem Bride
ranked Orlando as the number-one honeymoon destination in the world. Group
discussions of people who took honeymoons to Disneyworld have had a
consensus that the hype is not as great as the reality. Some weddings are
done with cartoon characters. Disney offers“fairy-tale” wedding
packages. A great deal for two mind-controlled slaves.They can reinforce
their programming while getting married. The Disney fairy-tale wedding
typically has its ceremony on a pavilion on an island in the Seven Seas
Lagoon with the Cinderella Castle as a backdrop. The fairy-tale wedding
can then be followed with a Fantasy reception with a choice of
themes such as Beauty & the Beast or Aladdin. The fantasy programming
can continue as the bride is delivered to a “Cinderella’s Ball” by an
actual glass carriage drawn by six white Disney ponies. A costumed
fairy-godmother & stepsisters are also at the ball. Desert is served
in a white chocolate slipper.One of the after-dark shows is Illumi Nations
which consists of music, fireworks, erupting fountains, special lighting, and
laser technology done at the World Showcase Lagoon. EPCOT has a show
Cranium Command at the Wonders of Life in the Future World section where
guests sit in a theater that functions as a command control room for a boy’s
brain. In 1980, Disney came out with the box office flop The Devil & Max Devlin.
In 1984, Roy E. Disney brought in Michael Milken, of junk bond fame to help
Disney out financially. In1985, Disney bought MGM’s rights to Leo the
Lion logo and began using the MGM Wizard of Oz material. Later a remake
of Alice In Wonderland came out in the modern motif of Honey I Shrank the Kids.
In the 1990’s, Illuminati controlled companies continued their promotion of
Disney. For instance, the Nestle family’s Nestle company promotes Disney
movies on their chocolate bars.The Nestle family is exposed in this
author’s booklet Illuminati Control Over Foods and Grains, p. 4 as
one of the elite Black Nobility families. In1996, Walt Disney World
created an actual residential town named Celebration onits property.
This self-contained community has 20,000 and a school, a theater,a fiber
optic information network linking business, as well as other features.

SOME DISNEY people of interest.
Over the years, the close associates of the Disneys’ is veryrevealing. The
public can get a feel for Disney’s attitude toward Illuminati bloodlines in the
Disney movie The Happiest Millionaire which is about Anthony J. Drexel
Biddle and Angie Duke. Readers of this author’s previous writings will
recognize the Biddle and Duke names. In fact, the movie was based
loosely on a book written by Cordelia Drexel Biddle about the Biddles.

X Atensio. His first name was Xavier, but was nicknamed and called X. He
worked on the haunted mansion of Disneyland with WED enterprises. He
joined Disney in 1938, andwas an assistant animator of Fantasia.

WarrenBeatty. (b. 1937 in VA) This actor is from the Illuminati Beatty family
and starred in Disney’s Dick Tracy. The Dick Tracy film uses color in a
special way, and this ties in with the color programming of
the mind-control. Some total mind-controlled slaves have programming
based onDisney’s Dick Tracy movie for them to track down and kill
“targets” (people). Warren’s sister is the famous (or infamous) Shirley
Maclaine. Shirley“MacClaine” is not what she appears. Her father was a
professor who was a CIA asset. She was used by the CIA as a sex slave.
She became popular with the studios because she went to bed with the
correct people. Her talents were used to get her as an intelligence slave
into places that an obvious intelligence agent couldn’t go. She was
married to a man in the NSA for nearly 20 years. Her adopted name
Maclaine (reportedly her mother’s maiden name) is a pun on McLain,, VA
where the CIA programmed her. She was used by the CIA in an operation in
Australia, where the CIA used her as a sex slave to compromise Andrew
Peacock, an Australian MP,, so that they could establish the
Nugen-Handbank for their dirty money laundering etc. She is friends with
satanist Stephen Nance who has provided her with some of her teachings.
Lowell McGovern writes her material. The CIA has programmed many of their
New Age slaves to adore Shirley MacLaine. An example of this is Christa
Tilton, one of their mind-controlled slaves, who revealed in an interview
how she considered herself a born-again Christian who had spent most of
her life in Oklahoma, but had mysteriously been drawn to Shirley
MacLaine. During her life she has gotten repeated “psychic urgings”--that
is strong urges to do things and go places,which she doesn’t understand
where these urgings came from. After hypnosis, Christa drew pictures of
the doctor who programmed her. Christa has had a federal agent monitor
her constantly. Her husband has seen this agent, who has shown up on her
door step and made calls to her. She names the agent John Wallis (most
likely a cover name). This agent has a complete knowledge of her life,
and government agents have taken photos of her during her
supposedly“alien abduction” experiences. Christa is just one of hundreds
of victims who have been programmed to adore Shirley MacLaine. (Christa
is mentioned herebecause she is one case that this author is familiar
with.) Warren Beatty, who peppers his speech with four-letter words was a
student at the Stella AdlerTheater Studio in NYC.

Shirley Temple Black. Shirley Temple Black sat on the Disney
board of directors (74-75). Her films were used for some of the early
40’s and ‘50’sprogramming
and teaching slaves body movements/dance. She married someone in an
elite Network family from San Francisco named Charles A. Black.
Charles A. Black was a Lt. Col. in the Pentagon who lived at Bethesda,
MD. Was Shirley an early example of brain-stem scarring to get geniuses?
Shirley’s brother appears to have developed “Multiple Sclerosis” from
brain stem-scarring. It was Shirley Temple who co-founded the
International Federation of Multiple Sclerosis Societies, and was a
member of its exec. committee. Shirley represented the U.S. at the UN
General Assembly in 1969, belongs to the Sierra Club, and has been
decorated with the Cross of Malta. Shirley has shown clues that she may
be an Illuminati mind-controlled child protege.

Stephen Bollenbach. Bollenbach was part of Walt Disney management, and
was a key figure who helped engineer Disney’s $19 billion buyout of the
CIA’s Capital Cities/ABC, as well as sell the idea to Eisner. He is the
CEO of the Network’s Hilton Hotels Corp. He recently has been involved
with trying to buy ITT, in order to put together the world’s largest
hotel-casino combination. Bollenbach has an extensive background with the
gaming-gambling industry. When the Justice Dept. began looking into the
merger of Disney with Cap. Cities/ABC, Bollenbach resigned his Disney
position. Some people feel his resignation was needed for Disney to get
the Justice Dept. to approve the merger, because hispast was vulnerable
to be exposed.

Warren Buffett. A major stockholder in Walt Disney. He also owns 40% of
Berkshire Hathaway Inc. which also owns lots of shares of Disney stock.
According to S.F. Examiner, Buffett himself owns 24 million shares of Disney.
Warren Buffett is part of the Ak-Sar-Ben fraternity and Monarch slave
abuserswho were exposed in the Nebraska Saving & Loan scandal. He is
perhaps the second richest man in the nation, and too powerful for
anyone to touch. In the kingpin vs. kingpin battles, some people close to
the inside see Buffett as a good guy. Readers need to study the Lincoln
Savings & Loan scandal and the scandals connection to programmed
child slaves at Boy’s Town to get more information on this Disney
stockholder. Robert G. Hagstrom, Jr., who is the portfolio manager of the
mutual fund Focus Trust, which has shares in Walt Disney, wrote the book
The Warren Buffett Way. Hagstrom has a chapter on Disney in his The Warren
Buffett Way. He quotes Buffett as extremely enthusiastic about Disney’s merger
with Capital Cities/ABC. Because of his enthusiasm Buffett says, 'The odds
are extremely high that we will have a very large amount of Disney stock.”

Salvador Dali. This strange surrealist Spanish artist was a friend of Walt Disney.
After Salvador was kicked out of Spain for Franco’s belief that he was a communist,
he came to America, and worked with Disney Studios in 1946.Salvador, an
eccentric who had no particular work habits, described himself,“The only
difference between me and a madman is that I’m not a madman.”

The Tommy Dorsey Band. This band has had a number of men in it who
are Mind-control slave abusers associated with the Network. Frank
Sinatra, a sexual slave user, got his big break with this band. This band
performed at Disneyland in 1984 at the Plaza Gardens. Tommy Dorsey was
part of the Network’s in-crowd.When he was on a USO Tour with Bob Hope,
he stabbed actor Joe Hall and threw him out of a window. Joe had to have
32 stitches. But Joe didn’t get justice,the judge dismissed his case
against Tommy.

Michael Dammann Eisner.
Chairman at Disney is a CIA asset and connected to the mob. Some
insiders believe he is connected to elements of the CIA & mob that
are anti-NWO. Even so, these anti-NWO factions also employ mind-control.
Eisner ignored a threat by Red China to boycott Disney products if he
made a movie about the nation Tibet that China controls with
draconian force. The U.N., the Commerce Dept. and the State Dept. all
tried unsuccessfully to get him to back down on the film. A paper trail
connecting Michael Eisner and Walt Disney Co. to mind control is their
support of the Boys & Girls Club of Napa Valley, which is used for a
supply of children for pedophilia and mind-control. The Boy’s & Girls
Club is used to supply caddies for the Silverado Country Club, where
these children are also used as mind-controlled slaves for the sexual
perversions of the elite. Notice that Napa’s Silverado Country Club
invites in celebrities (such as CIA asset Pat Boone, Joe Di Maggio
ex-husband of sex slave Marilyn Monroe, Engelbert Humberdinck a slave
handler, Digger Phelps Notre Dame’s coach who uses slaves, and Jack Vale
nti CEO of Motion Picture Assoc. & Bohemian Grover) for a golf
tournament which is billed as a 'benefit for the Boys & Girls
Club”. The benefit for child slaves is they get to caddie & sexually
service elite perverts. Michael (bn. March 7, ‘42 in NY) came from old
American money of a family that has been rich merchants and lawyers.
Michael grew up in luxurious Park Ave. as well as his family’s “country
place” in Bedford Hills near Mt. Kisco, NY. He went to an elite private
school Allen-Stevenson, which is famous for its children’s orchestra. At
the age of 14, he then went to Lawrenceville School, which is a
prep-school for Princeton, whose tuition in ‘56 was $3,000.
Eisner’s class incl. NY’s governor’s son, and other sons of powerful men,
such as the son of Saudi Prince Turqi al-Faisal. The school is a
prepschool for the establishment’s entertainment industry. Students are
only allowed to see their parents on major holidays. Eisner was in the
Periweg Club, the school’s drama society. His poor scholastic performance
meant that he had to go to a small liberal arts college, rather than
Princeton or Harvard such as was family tradition. For instance, his
grandfather had attended Phillips Exerter Academy and Harvard. His
grandfather has serve in many govt. commissions and belonged to the
Harvard Club, the American Club in London as well as some yacht clubs.
Between his junior & senior year in high school, Eisner was a page at
NBC’s HQ in the Rockefeller Center. In 1966, he landed a job in the
programming department of ABC. He had an influential position. Eisner had
one good break for deciding TV programming. He was 21 when the target
audience was 21 years old, and when he was 35, the target age of the film
industry was then 35. He has been described as having
“supernatural enthusiasm” coupled to a lifetime quest for untested ideas.

Rich H. Frank. Was Executive Vice-President with Walt Disney until his sudden
resignation about a year before this was written. He worked side by
side with Katzenberg and left after Katzenberg resigned in a dispute with
Disney’s chairman Eisner. Rich Frank was President of Walt Disney’s
TV-Media Division. He acquired the estate of Van Hoffenwiggen, when
Van Hoffenwiggen fled the country and vanished when Lendvest began to be
exposed. Van Hoffenwiggen was amajor figure involved with Lendvest
Mortgage Inc., a drug-laundering operationand drug smuggling operation
operating out of Napa Valley. It was also the fastest growing real estate
mortgage company in northern California until its drug smuggling began
to be exposed. Lendvest did some tricks ala Nugen HandBank. Millions of
dollars of investors and creditors have disappeared leaving lots of
hurting people, and the mortgage company filed for protection
from creditors in U.S. Bankruptcy court, and is still in operation.
International financier Edmond Safra’s private bank, the Republic
National Bank of NY, launders money from the Medellin drug cartel.
Safra’s bank sent Lendvest lots of crisp new $100 bills. The Safras are
tied in with the Rothschilds. (The Safras are reportedly recent property
owners in St. Helena near Napa (throughGood Wine Co. which is the Spring
Mountain Wineries), near where Lendvest was HQed. Edmond’s nephew, Jacob
Safra, has a partnership in Napa Valley’s GoodWine Co. The Rothschild’s
Citicorp gave Republic National Bank the transactionability to issue
international (world) bearer bonds (“bank notes”) The Luxembourg/Belgium
branch of Bank Nacional de Paris issued a bearer bond that was connected
the Lendvest drug running operation. In Britain, a U.S. citizen Mike
Spire ran the British operation of Lendvest and InVest. LandVest’s
parent was InVest which has operated in the U.K., Switz., Saudi Arabia
& Paraguay .Long story made short, Lendvest has been an international
CIA-Mafia drug running operation, with Illuminati overtones and
connections to it. With all this in mind, it is strange, that Walt
Disney’s President of its TV-Media Division, Rich Frank, bought the
palatial mansion of John O. Van Hoffenwiggenafter Van Hoffenwiggen
disappeared from the country when indictments and arrests began to be
made of people connected to Lendvest. According to insiders, Rich Frank
is also one of a number of Napa Valley people involved inillegal
labelling of wines. Rich Frank was a key figure in Disney’s
programmingventure with three regional Bell Telephone companies
(Ameritech, Bell South,& SBC Commun.) coming together. Bell
Telephone wanted to get into cable TV. Michael Ovitz formed a rival group
of 3 other Bell Telephone co.s. Calvin Robinson, who tied in with Land
Vest, worked with Boyce, who in turn worked for TRW Co., in Redondo
Beach, CA. Boyce was sentenced to 40 years for selling US surveillance
secrets to the soviets.

Daniel Hillis. The co-founder of a supercomputer producer Thinking Machines
from MIT, is in charge of the Walt Disney Imagineering unit. Hillis helped
Disney develop a virtual-reality ride at Disneyland based on the Aladdin cartoon.

Jeffrey Katzenberg. Has been the chairman of Disney’s movie studio, isan
aggressive worker, a model Type A person. ,,Ask 50 people to
describeJeffrey Katzenberg, and most will say tenacious. ‘If Jeffrey
were any moreaggressive, he’d be in jail.” says the producer Dan
Melnick.” ( Harmetz,Aljean, “Who Makes Disney Run?”, NY Times. Feb.
7, ‘88, p. 29.)Katzenberg is the father of twins, which people joke was
typical of hisefficiency. Katzenberg supervised the production of Star
Trek. Most of hismovies have been box office successes. In the ‘70’s,
Katzenberg worked for NY Mayor John Lindsay.

Sanford Martin Litvack. Sanford is the Executive Vice Pres. of Disneyand in
charge of “Human Resources” for the corporation. He is a jewish
lawyer who was educated at the Jesuits’ Georgetown Univer. He is on the
bd of dir, of Bet Tzedek.

Vincent Price. Price has been one of the major influential occultists who has
provided the world with many occult horror books and scripts. He worked for
Disney some, and was the voice for Ratigan in The Great Mouse Detective.
Vincent Price’s good friend John Hay Whitney is an Illuminati kingpin and
vice-pres. of the Pilgrim Society and was raised into the Illuminati through
the Yale Scroll & Key fraternity. His friend Whitney likes horror movies.

The Osmond Brothers.
Merrill Osmond’s boys were “discovered” at Disneyland when they were
visiting the site in 1962. The Disney people on Main St. just “happened”
to recognize the talent of the five boys and signed them up soon for
their first professional singing contract. The Osmond Boys did
some television appearances for Disneyland such as Meet Me at Disneyland,
and Disneyland after Dark. (Considering the mind-control programming
done to these Osmond children, these TV shows were a cruel joke.) Of the
singing Osmond kids, Donny is the next to the youngest, and his sister
Marie is the youngest. Both Donny and his sister Marie are programmed
multiples who are slaves, who have been subjected to a lot of abuse. They
have good front alters. Their father has made millions from drugs, porn
and white slavery and is part of the Mormon Illuminati front. The Mormon
front of the Illuminati has gotten a lot of good publicity off of the
Osmonds. They sang for Andy Williams whose French wife was once arraigned
on murder charges. Later they sang for the satanic Network’s Lawrence
Welk show. Swedish accented Lawrence Welk has been part of the Network.
Marie Osmond has grown up, and she has adopted 3 of her 5 children
inspite of her busy singing schedule which includes approx. 200 singing
shows a year at places like Mafia controlled Atlantic City. In terms of
occult families, adopted children are often programmed children, so this
is a clue  that her children have been programmed too.


Michael Ovitz. Ovitz was the no. 2 man at Walt Disney for a while until near
the end of ‘96. Michael Ovitz was a high school classmate in VanNuys, CA
with Michael Milken (later the junk-bond wizard), & there are many of
the same people connected to both men. When Michael Ovitz’s
National Mercantile Bancorp (a saving & loan) began getting into the
quicksand of several lawsuits & scandals, attorney Robert Strauss
represented him. Illuminati member Robert Strauss has been a lawyer
connected with drug running& the mafia. He was also an FBI agent
from ‘41 to ‘45 with Hoover. He is admitted to the Wash. D.C. bar.
Pres. Bush appointed him U.S. Ambassador to Russia. He has been on the
board of dir, of the Illuminati’s PepsiCo, Archer-Daniels-Midland (ADM),
and General Instruments (which have been exposed in other writings by
this author.) He was also a board member of the Illuminati-mafia run MCA.
Strauss is seen in Wash. D.C. as a behind the scenes power broker.
Strauss represented Michael Milken associate Ronald 0. Perelman,Chrmn.
of Revlon, who made a $600 mil. killing off of the 1st Gibraltar S&L.
Strauss represented MCA, which the Bronfmans took over in 1995. Thebook
Knoedelsder, William. Stiffed-The True Story of MCA, The Music Business, and
the Mafia. NY: HarperCollins Pub., 1993, does an good job of connecting MCA
to the mob, the Network, and Iran Contra. See especially page442. Time
magazine 2/24/97 carried a page long story about Michael Ovitz being out of a
job. In the article, they reported that he was spending time on his new
yacht The Illusion, visiting Joe Silver’s estate in So.
Carolina, visiting his property in Aspen, CO, and eating lunch with
investment adviser Richard Salomon of Spears, Benzak, Salomon &
Farrell. Gordon Crawford of the Capital Group is quoted in the article
praising Ovitz, and saying he would invest in an Ovitz venture. Ovitz is
believed to be mafia by people in a place to know. He has also been
known to threaten people using mafia terms, for instance, Vanity Fair
(12/’96, p. 272) reports Ovitz threatening Bernie Brillstein, a
producer, with his “foot solders”. The San Francisco Chronicle (Fri.,
1/26/’96, p. D20) quotes the latest issue of Columbia Journalism Review
about an incident where a reporter Anita Busch who was investigating Ovitz
got violently sick from the MSG in her food as she interviewed him. To top
off it all off, Ovitz followed up her story which questioned his
actions, by sending her a gift wrapped package of MSG with a one-word
note: “Enjoy.”.Michael Ovitz has had the clout to deal with Illuminati
kingpin Edgar Bronfmanhead to head. He requested & got Bronfman to
keep his dad employed, which was dutifully done. Edgar Bronfman Jr. had
seriously considered having Ovitz head Seagram’s MCA/Universal conglomerate.

Frank G. Wells. Frank was the President & the Chief Operating Officer of The
Walt Disney Co. Wells was also on Disney’s board of directors.He was a Rhodes
Scholar, and a lawyer in 1955. Those who have read previous books (such as
Vol. 1) by this author know how the Rhodes Scholars fit into things & are part
of the Illuminati. He worked closely with Eisner & Katzenberg. Frank
died in a helicopter crash in the spring of 1994 while heli-skiing in
Nevada. His surviving sister is Molly Wells Chappellet who runs around in
Illuminati circles. Molly Wells Chappellet has been featured several
times in Betty Knight Scripp’s magazine Appellation. Betty Knight
Scripp was married to a Bohemian Grove member. Betty has been
good friends with: the late Pamela Harriman (who was a recent U.S.
ambassador to France & connected to the Rothschilds), as well as good
friends with Her Imperial Highness the Grand Duchess of Vladmir of
Russia, who owns the Chateau Margaux in Bordeaux. Betty Scripps
personally monitors with care what is put into her incredible magazine
Appellation. She has a column “Who’s Who in the Wine Country” where the
Chappellets have appeared in print numerous times. Nearly all of Disney’s
1920 movies had a black cat in them. Many had occult slants to the scripts.
The occult slant never departed from Disney themes.


Some of DISNEY’S blatantly OCCULT MOVIES.
Aladdin. A wisecracking allpowerful genie is shown.
Bednobs & Broomsticks (1971) A witch finds a magic formula from a lion king.
The magic formula raises a ghostly army of armor in a museum whichstops
a band of German commandos.
Beyond Witch Mountain (1982) A pair of twins leave Witch’s Mountain and
have to use their special occult powers to outwit a character namedDeranian.
The Black Cauldron (1985), A Horned King  uses his magic to fight a clairvoyant pig
and  the pig’s keeper. This animation cost $25 million, but was a box office failure.
Bride of Boogedy (1987) An evil spirit visits the Davis family and puts the father
under a spell. Directed by Oz Scott.
Child of Glass (1978) A glass doll must be found to set a ghost freein a haunted house.
The Gnome-Mobi1e (1967). A multimillionaire and his grandchildren encounter gnomes.
In the end the multimillionaire deeds the forest to the gnomes for eternity.
Halloween Hall of Fame (1977). Jack-o-lanterns come to life.
Halloween Treat (1982). Cartoons about Halloween. This was followed the next year
with a film Haunted Halloween which talked about the origins of Halloween.
Misadventures of Merlin Jones (1964) A genius tries to help otherstudents. He tries
to also use hypnotism & ESP which backfire on him.
Richest Cat in the World (1986) A wealthyman leaves his fortune to his cat, who
the relatives later discover can talk.

[LiveOTG]

Well my friends, after a couple days of shallow research it turns out Hitler and Walt Disney weren't merely an odd couple during the 30s and 40s; they were in fact the same person. *ghasp*


Sure, we all know thats crazy nonsense, yet the evidence persists.


1) Walt Disney was rumoured to be a fascist and a racist, he was a Nazi.

2) Hitler was a fan of Walt Disney and was given multiple copies of "Mickey Mouse" by his officers for Christmas in 1937.

3) Hitler was an artist and used his skill to, at the very least, confirm his admiration for Walt Disney's productions.

Exhibit A: If it wasn't for the signature who would you think drew them?

4) Both Hitler and Disney shared a phylosophy about children. Get them as young as possible and they'll be yours as long as possible. Adolf made a point of letting it be known with his Hitler Youth program. Walt wasn't as forthcomming publicly, but the Disney corporation was responsible for defining and implementing a list of specific advertizing techniques (about 15 distinct methods if memory serves) that would cause children to nag and cry to thier parents. I read as much in a book called about ten years ago.

With that in mind I present Nazi propoganda films produced by Disney as exhibit B:

The part I find a little brazen in this one is how they explain exactly what they are doing to our children as though its just something the Nazi's are doing.., when obviously the film they are currently watching is doing the exact same thing...

Sure these films seem to be denegrating the Nazi party, but some would say any publicity is good publicity when what you really want is the attention of the people. Especially if you want them to go to war with each other.


Ok so they were similar fellas, so what?


Well but wait, theres more. First please consider the following piece of scientific background:

"Ears Could Make Better Unique IDs Than Fingerprints" - Says Wired Magazine

Which leads us to

5) And in case you havent guessed it, yes, Walt Disney and Adolf Hitler have the same ears.

Exhibit C:
This one refuses to embed for me so just a link
And I would ask to please not make this discussion about Wellaware1 or his work. The remaining bulk of his work is irrelivant to the idea presented in this thread.


So there it is, probably nothing though right? Hitler was a meany and Walt was a softy after all.




If nothing else though they must atleast be brothers, no?